The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
章子怡,还是演电影吧,电视确实有点尴尬,电影还是很不错的
这个系列越来越像写作文了。框架定好,然后塞历史事件,编剧情,塞演员。看电影的观感犹如读高考八股作文,剧情走向,几时升华,几时煽情全在意料之中,都是套模板。
拼盘电影还是少一点吧,这次只有四个故事,每个故事都相对完整些,没有特别拉垮的
这就是The end,不再有007
整体偏美式价值观了,简直像钢铁侠浪子回头,或者真人版超人总动员。
最后的枪战,大家都在描边,就你邦德在打中间。
广告发展史一波回忆杀
骑兵:4.0/10.0
告诉你山川大河
第二高亮是诗片尾的诗。
民族抗争~建设奉献~改革开放~展望未来
什么玩意儿,沙丘没满足的看到打戏,007居然是个文艺片,完全没有卧底和斗智斗勇的谍战感…靠…请为了情花毒共同死在绝情谷里!!!!!!!!
没有情怀的看这部电影,睡着了好几次,时间长得像坐牢🚬
缺位的父辈与失语的母辈。诗>鸭先知>少年行>乘风。
还是冷战老思路,不过老观众就吃这一套。最后怎么007都有孩子了,老了沧桑了。古巴妹那一小段很惊艳。
这四个导演也就徐峥的作品看着比较成熟。吴京和章子怡剧本还是比较扎实,但就有点强行煽情的嫌疑,沈腾导演的说明他还是做个演员更合适。
https://movie.douban.com/review/14012241/
从“国家-家乡-家庭”的主题变化与“7-5-4”的短片数量变化,“我和我的”IP到《父辈》这里,调整方向其实已经比较明确了,就是以更具体的主题来贴近感召对象。虽然票房滑坡,但其实不能完全怪创作者。
《乘风》
《鸭先知》
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