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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
我的眼泪是不是真得不值钱啊，哎，看得偶老泪纵横啊！致敬韩国的影人！！！姐姐陪伴长大，父亲终生的遗憾，神童终于开化。一座两元车站，构筑的故事，虚构的，可情感的共鸣是真实的。致敬韩国演员！！
其实挺好看的，可惜太冷门没有靠谱的外挂字幕。
精致的画面，古怪的主角，可爱的小猫，组成了一部《路易斯·韦恩的猫奴人生》。私心来讲还是比较喜欢的，当然电影中的小猫对此功不可没，没想到还有喵配英字出现，实在很惊喜。头号猫奴韦恩不仅爱画猫，还改变了人们对于猫作为宠物的看法。在韦恩成名之前，他的朋友问他养猫是不是为了捉老鼠，韦恩说是为了当宠物。朋友表示很担心他，韦恩不解，朋友解释道：因为你拿猫作宠物啊！——正在抱着猫观看此片的我膝盖一痛，并感到吾等养猫人都应感谢这位前辈。
穷困山村有志青年凭借数学天份走出山村的故事。本片距离「优秀」的几处不足：少年过于轻易取得的胜利，虽然扣题并突出了戏剧性，但消减了可信度并降低了感染力；剧本对个人心结、家庭悲剧和村民困境等几条线索的排布主次不清；韩影惯常的表演方式对于励志传记片来说未免过于浮夸和廉价。
以为爱情可以拯救幻想症患者，其实，没有什么可以拯救他，猫也不行
剧情是不错，演员也不错，就是有点拖拉，感觉很多没有必要的情节
不可能存在的女朋友与无法真实存在的姐姐，多少显得有点虚无，这或许也说明了奇迹为什么会叫做奇迹
7.9 人融入景以后幻化成了画，真美。ps：72届柏林的海报主体有没有一丝灵感借鉴了路易斯的中后期的猫咪轮廓。
男主演的不像十几岁，没有少年感。
色彩，摄影，光线，构图都是顶级的，极具美感的，令人陶醉的。人物的塑造也像是为本尼量身定做，表演精致但同质化。天才的孤独感又一次贯穿始终。但这一切无法掩盖剧本的常规和平庸。
男主演员选的岁数有点偏大了 以前不太能get到允儿 这部有点改观
When it comes to drawing, there's only one rule, you ever need to teach. It's to look.
摄影和音乐非常棒！最后那几个镜头，看着他慢慢走到森林，走到画一样的风景里，就一直静静的流泪。虽然对猫没有特殊的好感，但是真的有被路易和夫人之间的爱感动到！尤其是最后的那段对话，太长情了，看一次哭一次。卷福绝对是今年发现的宝藏啊！从《犬之力》开始就来了电，又看了纠结的梵高，这部更好！你看他走路一颠一颠的样子，把路易那带电的性格一下就演活了。导演原来是之前看的那个英剧里面演Will的日裔，好厉害！
一部讲述姐弟情，父子情和爱情的感人励志之作，没有煽情，没有狗血剧情，国产爱情电影多学学
而允儿的这条线就比较轻松了 第一次看到银幕上的允儿 确实很漂亮 恋爱感满满 最后说下里面的演员我也都好喜欢 期待导演下部作品
插画天才的人生别出心裁采用绘本的视听美学来描绘。方形尺幅像画片裱框，人物置身景中，时间的金色细砂漂浮流淌，生活多重曝光叠合定格粉彩。Colman旁白作为配文衔接艺术狂人一生的梦想与痴妄，爱情与伤逝，叙事问题也出在选择翻阅画册般的讲述语言。Wain脑海的电流碎片万花筒似的倾倒影像长卷上，松散花哨的面面俱到呈现落入传记片常见的窠臼。造型服装、布景色调悉数服从于系统化的规整美学建设，成片和画作气质无比贴合，浑然一体，碍于英国演员超高水准的演出和平庸保守的剧本的落差，比起癫狂至幻的爱猫人笔下猫眼见世界的出神入化，传记好比精美无暇的临仿之作，处处是画师风格烙印，却无一笔看穿天赋背后的孤寂真正所在。故人如行旅依次作别，是未亡的记忆沉入深海，将他灵魂浸透后退去，留下哀痛的物证在画笔无法触及的空白缓缓沥干。
看日本人谈恋爱确实是累，磕着磕着翻几个白眼的水平hhhhhh
以及，听过原音的人就会发现Louis最后的s并不发音，路易，就是LV那个路易。。。
以及，听过原音的人就会发现Louis最后的s并不发音，路易，就是LV那个路易。。。
小清新、搞笑、惊悚、感动、热血，爱情、姐弟情、父子情、乡情，会觉得这种剧情就是硬凑，把太多吸引观众的点拼凑在一起，如果整体来看，就是支离破碎，但是如果单看每一个点，又都展现的还不错，甚至产生了情绪。韩国人拍社会现实很厉害，拍人际感情的戏也是特别在行，甚至有明显时代戏的感觉，如果是经历过那个时代的人，应该会有更多的情怀感受。
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