The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
人生嘛不能贪多
我明明什么都没有做，为什么偏偏是我；我们没有选择的权利，只能尽我所能
[C]
“人啊 还是要对自己好一点”
就，大结局很突然，胜利的很离谱……另外剧情有点牵强吧
是因为时常原因吗？还是除魔并非主旋律？结尾过于草率了
我喜欢前半段的生活气息，风景美食孙女和奶奶。
刷微博时被台词“福气不需要那么大，只要每天有小小的福气就足够了”安利到
剧情拉稀 设定还行妖魔就那么容易接受的么…还有最后boss也太容易了吧…
会有神灵庇佑吧，但悲伤的，苦痛的，失落的，终须自己勇敢面对。
食之无味，弃之完全不可惜。
合租的室友有那么好，我愿意租一辈子。现实中合租就是鸡飞狗跳
故事结构是还行的，但是细节处理起来真的粗糙，节奏也不行。日常内容可以慢，但要有氛围，完全就只是靠人设撑着。高潮来的既平又莫名。
妖怪陆续出现那几个片段不错
电影是改得更搞笑啊！好中二… ！小说里先是给女儿沙耶加办婚礼后给公公办葬礼！电影顺序换了一下可能是为了更好地叙事发展 小说里的插花课改为瑜伽（？）share house的强行插入使整个电影的基调完全变了…改编得有点脱离本体小说
有病？只要画风好，宁静的田园生活就能出来骗钱是不是
难得天海佑希演这类型的角色！里面出现好多搞笑艺人也是挺惊喜的ε(*･ω･)_/ﾟ:･☆
普通的灾后治愈故事，找到新家人。不过套了神话表现，还算有点想法。
老奶奶向無家可回的兩個女孩伸出了手，光是這個設定就好令人動容。無血緣的家。只要真誠以對，心有所願，迷途之家就會為你實現。不思議人的神怪傳奇。悲傷與恐懼會幻化成怪，但家的羈絆能破除迷幻。輕巧簡易的敘事鋪排。失語的小女孩開口呼喚的那刻，以她的視角將故事收攏。
还买什么大平层，合租就好年年住新房喽，倒是“牡丹饼再好也吃不下三个”才是真的…
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