Acclaimed Mexican-Canadian auteur Nicolás Pereda returns to the Festival with Minotaur, a pendant to his 2009 feature Juntos. Shot in the Mexico City apartment of Pereda's signature actor Gabino Rodríguez, Minotaur is an incandescent chamber piece that observes three thirtysomethings (Rodríguez, Luisa Pardo and Francisco Barreiro) as they sleep, dream, read, and receive visitors (including the housekeeper who takes care of them) in their communal space. A lovely and lethargic spell is cast as an ambiguous, Marienbad-like love triangle emerges among the trio, conveyed through literature (books function as telepathic transmitters and definers of relationships), choreography, and the acute physical presence of the three leads. Extending Pereda's recurring interests in class, social structure and family relations in Mexican society in its wraithlike fantasy of a leisure class that is quite literally sustained in its narcoleptic existence by the ministrations of the domestic help, Minotaur evokes the films of Tsai Ming-liang in its distended naturalism, ritualistic solitude, and creation of a cloistered world suffused with longing. The surreal aura of Minotaur seeps beyond the confines of the trio's apartment into a strange "night without distance" in Lois Patiño's hallucinatory portrait of border smuggling in the Gerês Mountains between Portugal and Galicia. Casting real townsfolk, some of whom were smugglers in their youth, Patiño places their stiffly Straubian presences within cross-processed, multilayered tableaux of rocks, river, and trees — an ever-indeterminate place that has imbibed and borne witness to innumerable, desperate acts of survival. Conjuring an instant in the memory of a landscape filled with ghosts, Night without distance extracts spellbinding fantasy from the real.
太老套,太聒噪,太无聊了。这么难看还拍到第四部,也难怪迪士尼停滞不前,同行真的一点压力都给不到。
该有的都有,节奏和广播站都可以,宝宝很喜欢
没前几部好玩了,油腻自拍男弗兰肯斯坦是为数不多的笑点
個人還是非常喜歡這個系列的,人物設定立了大功,大多數笑點也都是基於此發展。大結局的幾個遺憾:1、導演Genndy Tartakovsky換了,2、德古拉的配音Adam Sandler換了,3、院綫發行取消了……但還是笑得很開心,就老朋友無腦嗨的感覺。
德古拉太难了,摊上约翰尼这样奇葩自私的姑爷,连带着闺女梅菲斯也变成一个恋爱脑。
身份互换梗也好,丛林探险梗也好,家庭和解梗也好,其实美式好莱坞的编剧们也陷入了一种创作的枯竭的困顿期,那些反复的套路是如此的乏味和苍白。令人不禁疑惑是不是编剧只是拿着底薪随便从一堆老片里拼出来一套剧本。
我也没想到女反竟然也可以有感情戏
我真的很爱这个系列,但是到这里也应该结束了。德古拉和约翰尼的和解到现在才真正展开,实在是太太太太牵强了。不过我依然看得很开心。
有教育意义,不用很聪明不用出众,只要保持初心保持善良和勇敢,集中注意力,用心去做,也可以成为英雄!
你真的不能用大人的眼光看待熊出没 ,你觉得低b又蠢又傻,但每一年 每一年啊 我家孩子都看得起飞,每年都兴奋的不行,这也是为什么每年熊出没的票房都挣到笑,它真的很能满足小朋友
有几幕挺缝合怪的,但是也无所谓了,这不比春节其他电影燃?
好一个IP,又到结尾的时候了,虽然还是一贯的风格,但是有趣程度每况愈下了。
意外不错。虽然剧情没什么新意,设定和分镜也有点缝合的意思,但故事讲述流畅自然,完成度非常高,可见中国动画工业发展。加油!
从第一部动画追到现在已经过去10年了,这个系列动画也逐渐成为了和马达加斯加系列,玩具总动员系列最长寿的动画电影系列,第一部我记得让人惊艳莫过于片尾曲you are my zing,而后面连续拍了三部,但是再也没有第一部的神曲让人觉得回味。
听说下一部电影已经做完了
已经不能完全吸引我了,并且可能是我上岁数了,还觉得有点聒噪。我的问题
技术糙了点,配音没特色,不过够欢乐,分镜也很好,值得4分
互换身份才能了解对方。。人类早晚死的也比怪物快,应该让主角一直变成怪物配合才对。
转眼精灵旅社都已经10年了啊!这其中这么多的回忆~~ 这部完结篇中规中矩的感觉,但还是令人满意的吧!科学怪人、狼人、木乃伊和隐形人的人类设定真是太搞笑了~~
太丑了太烦了那个女婿……居然烂尾了这个系列
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