Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
和儿子一起看的，挺有意思的，剧情有几次反转，中间有几次泪目，有笑点有泪点，给中国的动画片点赞！
幼稚，很多情节不知道为何，比如大反派为什么要扶持一个不会武功的当大当家。打败大反派只需要一些绣花线。强硬煽情。
国产动漫这几年真的太争气！无论是立意，情怀，价值观都很赞
算是电影院看过最差动漫了吧。剧情老套 毫无创意.好在很多地方致敬了周星驰 不然一分都不想给
就总有一些明知烂片还会硬着头皮点开看完的，漫威大片才1个半钟就很可疑了，不过期待放到最低后，就觉得能把我们家汤老湿拍得这么魅力全无也是一种本事吧。。
国风动漫崛起！！
虎年元素满满小虎墩活泼有趣 PS春晚舞台有亮相但影片故事相对较差闲暇时观看尚行
儿子好喜欢虎墩，我也被他感染了，在春节档众多电影中选择了虎墩果然没让我失望，儿子超级开心，也流过泪心疼过虎墩，感谢虎墩能让我儿子全程看完收获不少，很好的一部合家欢！
感谢#小丸子观影团#组织看#电影小虎墩大英雄#，虎年带娃看虎墩，挺应景的。这部片子排片太少了，武侠，国漫，应该支持
虎墩的人物形象塑造得还不错，配角杨镖师的动机转换缺少说服力，对人物过往的铺垫较少，抢亲与花猪那场戏、黑大王的人物设定有点意思，全片传统武侠动作，缺少特效加持，不像神话奇幻题材，因此少了视觉刺激。有几句台词使用网络语言，稍微有点尴尬，好在并不多，剧本有待提升，整体算一般！
那个手下太邪恶了，功力很高。那个小英雄很逗，很好玩。我很高兴最后他们一家人在除夕夜里团聚了，那个飞龙盘剑很壮观。
小虎墩从小被寄养在四海镖局，大当家一直照顾他。在他父母的影响下。他也想成为一名镖师。可是大当家不想他成为镖师，因为他的父母就是在当镖师的路上去世的。但他刚开始不知道自己的父母已经去世了，大当家强忍着不告诉小虎墩父母去世的消息。有一次，他接到了送镖的任务。大当家不让他去，可是他还是去了。途中，还有一位杨镖师。经过了爬山涉水，被人追杀的路上，杨镖师告诉他父母去世的事实。他不相信，他记着父母告诉他，等他成为真正的镖师后，就会回来看他的。经过他不懈的努力，冒着生命危险，把任务按时完成了。他也成为了一名真正的镖师。在小虎墩的影响下，我要在学习的道路上不懈努力，搬走阻挡我进步的大石头，我相信自己可以完成，我相信一定会成功。
和孩子电影院一起看的，他也不怎么喜欢。剧情平淡，感觉搞笑的部分没有多少，打斗的部分倒是不少，也没体现出虎墩的英雄主义
更加卡通，也更加保守，一种爱情观打赢另一种爱情观，或者说《天生杀人狂》式的“浪漫”和叛逆就此成为了过去，看似危险狂暴的主角实则背负着相当正确的情感理念，曾经的美国电影中的“坏孩子”们，正在被“扭转”为仅剩表面故作姿态的“三好学生”，话说回来，这部短小的电影究竟又有多少认真，也许只有那个预料之中的彩蛋，更进一步，可能仅是为了这段彩蛋而制作了整部电影。
故事连贯性还是不错的，前半段欢乐多多，后半段情感也表现的不错，比想象的好些。
故事，搞笑，冒险，亲情各种元素齐备，虎年全家欢！
害我咋就这么不喜欢这小孩呢！最开始是看预告觉得《骁》好听画面也不错，但是来影院看也觉得太离谱了叭：“婆婆妈妈”出现多次，天下无敌黑大王竟是人设，小孩子特别招人烦总对着干特别蠢，还把新娘和猪替换…不敢深究，不能带脑子，挺无语。黑大王的竹子水杯可爱又环保～种草了
看完熊出没。儿子意犹未尽。还想看电影。结果就选了小虎墩。中间我睡着了。。。 一开头致敬周星驰？
特别好看，推荐大家看一下，不要光看那些打着爱国情怀挣你们钱的烂片
国漫都“崛起”多少年了，依然还能在春节档看到《小虎墩大英雄》这样全方位平庸，毫无亮点可言的动画电影，简直出乎意料。
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