Cameras are rolling on the French Caribbean island of Guadeloupe for the tenth anniversary series of BBC One’s hugely popular Death In Paradise, making it one of the first BBC single camera dramas to start filming since lockdown.
Red Planet Pictures have worked closely with industry bodies, other production companies and the BBC to develop a detailed Covid-19 protocol policy, implementing various safety measures including social distancing, face coverings and temperature and Covid-19 testing to minimise any risk of infection. There is also a full-time Covid-19 Supervisor on set to make sure the protocols are being implemented correctly and the latest guidance is incorporated into the policy. The health and safety of our cast and crew is paramount and production is working in line with the Guadeloupe advice as well as the industry guidelines.
Returning to the sun-soaked island to reprise their roles are Ralf Little as D.I. Neville Parker, Don Warrington as Commissioner Selwyn Patterson, Tobi Bakare as D.S. JP Hooper and Elizabeth Bourgine as Mayor Catherine Bordey.
As well as the usual baffling murders, intriguing puzzles and famous guest stars, viewers can expect some huge surprises as the show celebrates a decade as one of the most loved British dramas - and these surprises begin with the return of D.S. Florence Cassell, played by audience favourite Josephine Jobert. Florence thinks she’s ready to get back to work after her fiancé’s death two years ago - but she hasn’t banked on her new boss, Neville. As she tries to understand his peculiarities, sparks are bound to fly…
Neville soon realises he is existing in the Caribbean, rather than embracing life there. With Florence’s help, he determines to seize the day and finds himself starting to reveal some of his secrets - including of a romantic nature. But is Neville really built for a life in the tropics? And is a romantic relationship ever going to be possible for him?
After two series bringing law, order, and joy to the streets of Saint Marie, we’re sad to say goodbye to Ruby Patterson who made such a massive impact in such a short time! DS Madeleine Dumas will also be departing Saint Marie’s sunny shores and we would like to thank Shyko Amos and Aude Legastelois-Bidé for bringing Ruby and Madeleine to life and wish them all the very best for the future.
We are excited to welcome a brand-new face to the team, in the shape of Tahj Miles. His character, 18-year-old petty criminal Marlon Pryce, is a ball of energy and thinks he knows it all. But when he runs into JP, his life takes an unexpected turn and he finds himself looking at a very different future to the one he expected.
The arrival of twins is the least of JP’s challenges as he finds Marlon - and some shocking developments at work - testing him to his limits. Selwyn’s frustrations with his new detective take a back seat when he finds himself in the firing line and Catherine’s life is turned upside down when the death of a friend pulls her into grave danger.
Executive Producer, Tim Key, says: “We are delighted to be able to start filming and can’t wait to celebrate our tenth series with our audience. It’s a joy to be working with Josephine Jobert again and we think the viewers will love watching her trying to get to grips with Neville. And we are very happy to welcome Tahj Miles to the show. Marlon is going to make real waves once he arrives in Saint Marie. We’ve got some real treats for our long-term viewers as the series progresses - including some major surprises and the possibility of another returning face or two. We are determined to make this our biggest and best series yet and can’t wait to take our viewers back to Saint Marie in 2021.”
Red Planet Pictures' Joint Managing Director, Alex Jones, says: “Like every other production company, we have faced huge challenges to get to this point, so we are delighted to be up and running again and extremely grateful to everyone who has helped us get this far, not least the people of Deshaies and the region of Guadeloupe for their assistance. The safety of our cast and crew - as well as our friends in Guadeloupe - is the most important thing to us and our policies have been designed to protect everybody whilst still delivering an amazing series for our tenth year.”
BBC Commissioning Editor, Tommy Bulfin, says: “We are so pleased that filming has started on this special tenth anniversary series of Death In Paradise. This series is packed-full of captivating cases and unexpected twists, as well as some really great surprises for fans of the show. Thanks so much to Red Planet Pictures for working so hard to make it happen.”
Death In Paradise is a Red Planet Pictures production for BBC One made with the support of the region of Guadeloupe and internationally distributed by BBC Studios. Series ten is produced by Jim Poyser.
真的好无聊...一个无聊版的《我是传奇+火星救援+荒野生存》...看完整部片子我都没有建立起对finch的强烈共情...很多地方都不明不白的，比如那个突然出现又突然消失的反派...
这大概是荧幕史上最话痨、最多动、最有人情味的机器人了吧 汤姆汉克斯演技一如既往的稳定，一人一狗一机器人依然可以把故事诠释得那么生动感人，继荒岛余生后，汤姆汉克斯再一次证明自己不喜欢团队合作 几个画面太过经典，跟机器人爆米花、触摸蝴蝶、人与机器人拥抱、机器人与狗拥抱以及最后的金门大桥，一部科幻片却拍出了浓郁的人文气息，这才是我们需要的好莱坞电影，无比怀念被超英占领前的好莱坞
点映看完发现，我没把它当做一部动画电影看待，而是更接近真人电影，这观感之于目前的中国动画电影真是一个不错小突破。前半段能看出致敬周星驰无厘头喜剧的影子，广东韵味很浓烈，场景做的非常真实。后半段从男主去广州打工开始，整个格局都提升了。我最喜欢他在天台上独自舞狮那段，阿娟一直在努力，即使那意味着一场必将到来的告别…
很棒的科幻小品，拍得精致又温情，但设定确实不够严谨，尽管只有一个人，也得考虑资源问题吧，还有Jeff和车的能源从哪来，片里几乎没涉及，而且担心的“人”的危机，也只有简单一场戏带过，桥段难免落俗。狗狗死后，jeff就会失去意义，世界也不会变好
已经开始想象如果最后狗狗也去世了，杰夫会是多么的孤独。杰夫最开始喜欢的名字是莎士比亚，或许那才是真正to be or not to be的时刻。
每个平凡人的心中，都有一头猛兽，
有望成为超越哪吒的爆款国漫
65岁的汤姆.汉克斯主演的独角戏，一个老人和一个机器人，及一条狗。完整、温情。对比一下他38岁时主演的电影《阿甘正传》所表达的奋斗、成功的“美国梦”，今天好莱坞对人类未来的想象：气候恶化，城市荒芜，人性丧失，灾难无穷，实在是太悲观了啊！
一枚早已写在尽头的句点，一段再无归期的旅程，我是垂暮之年的传奇，踏上末世的无依之地。
如果可能，来一个续集《杰夫》
论走心好故事的重要性。一人，一狗，两机器人的末世科幻片，没有反派，没有动作戏，也没有大场面（除了一些cgi极端天气），节奏极度缓慢，却极其引人入胜，理工绝症男主创造了直立AI机器人只为托孤，而孤居然是条狗，这也太暖了吧
全员工具人为剧情服务，剧情老套到即使是很少看电影的我都能全部猜中，硬生生点主题，主题是“我不想被人看作病猫所以我拼搏舞狮得了省比赛第一名然后我就成了狮子”，对此借用友邻一句短评——“我爸没有医保，你友内卷到爆”。开豪车的女孩说你要坚持梦想，却连个联系方式都不过问仿佛这种一眼就看出的被迫出卖体力的漂泊真如对方说的是“体验生活”。男人至死是少年，女人却要为一次失败的婚姻买所有单，还要负责让男人快乐。
天呐！哭死我了！这片还能谁演啊？！当然只有tom hanks啊！！！虽然故事也不新奇，可那份浓浓的暖意就够了啊！
如果世界毁灭那很大概率也是人类自己造成的，这句话一点不假，如今的世界疫情泛滥，不同国家发展的鸿沟越来越大，与此同时，人们的世界观也变得越来越极端，凡事都要试图政治化，真不知道我们的世界是更好了还是更坏了。
一段陪伴的结束，另一段陪伴的开始。这只小狗，有最爱他的两个人，芬奇和杰夫。
我很喜歡，末日下一位孤獨的老者，一個初生懵懂的機器人，一隻溫柔忠誠的小狗，詮釋出了如此浪漫的信任。
故事也没说太清楚，留守儿童到农民工，中年危机，都没有深刻挖掘。成品出来时空混乱，不知道到底在哪里，一边是省内打工几年不回家的父母，一方面是几月速成的天才舞狮少年，故事编辑可能不太了解舞狮职业（但凡看过黄飞鸿系列）和两广地区宗族观念。
最后结尾落点太棒了，当他打算跳擎天柱，大家开始一起打鼓，我还在想，不行啊不能跳上去啊。很好，超现实镜头出现，阿娟落入水中，最后狮头落在最高点，太棒了。人生可以尝试翻越最高的那一座山，但是一山比一山高，总有一座山是上不去的，上山，下山，我们都还需要学习。女阿娟角色的设定也蛮好的，女性身份让她没那么自由的舞狮，而少年也顶着阿娟这个名字，跳上高点，这个时候，性别不重要，心中有雄狮才是最重要的。
极少见的以现实题材为基底的国漫，雄狮作为一种“面具”的符号映衬内心。决赛攀登的过程中狮头破落，也暗喻边缘人群在这条路上有多困难而破败不堪。最终狮子头挂上擎天柱，人物下坠，事实证明“低立耑人口”依然是没有奇迹的，这才是最大的讽刺所在吧。
名叫《芬奇》，实则是杰夫，为了水时长，中间插入了太多似是而非的片段，要不是这个结尾，可能就倆星，适合三倍速看完。
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