With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
社交软件软广告。。。炮友转正的俗套故事。。。
库尔特·华纳(扎克瑞·莱维 饰)是美国传奇橄榄球明星，他的职业生涯堪称传奇。影片围绕着华纳的励志故事以及多年来遭遇的挫折和挑战展开讲述了， 他是如何从一个杂货店售货员一步步成长为两届NFL MVP、超级碗冠军和名人堂四分卫的。在这个过程中，他的妻子布伦达（安娜·帕奎因 饰 ）以及教练队友都给了他极大的鼓励和和支持。
炮友变情人，逐渐落入俗套，不过爱情的终点本来就很雷同吧，前面不错，后面劲小了，但最后还是会幸福地微笑
喝酒时的对话最为有趣，鲜于贞娥的配乐也很轻盈，收尾收得不好，但真的好喜欢这两个演员。
孙锡久挑大梁的电影，那必须无条件支持。更何况，这种程度的剧情，两位男主角演起来驾轻就熟。
为了具子敬而看，俗套老套的剧情设定，但不难看，女主也不错，一大波船戏是《我的解放日志》爱好者们的福音，解放同好会成员们压抑的荷尔蒙得到大规模释放。
没报什么希望去看，看完却觉得还有点意思，当然不是因为以性说爱的老套剧情，而是因为男女主的演技都挺有迷人点，看得人略有心动，如是想来也蛮意外。
爱情就是高难度情感劳务服务哈哈哈哈哈哈哈，exactly！
美国电影嘛，就是这样，普通人都能成为超级大英雄，情节也一般
@@@（2021-11-24）yeon-ae ppajin lomaenseu（Nothing Serious）（恋爱缺席的罗曼史）
盼了一年多 成品和想象出入未免也太大。。有个性又会演的一对竟然没有一点火花 看得出来主要还是没钱（X 好憋屈啊救命🆘
看的过程频频皱眉但还是想：应该有这样的人类，他们有性无爱且能做到宾主尽欢……但已然想到反转了（就很俗套）
能在3个月内看到2部全钟瑞欧尼的电影实在是太幸福了🉑️🉑🉑️
人生是一场旅途，而不是一个事件。不是为了向他人证明自己，而是成为自己。Life is a journey not an event. Don’t need to prove yourself, to become yourself.
觉得前面…还挺有趣的..后面的剧情怎么就垮了呢
先性后爱的故事，但是剧情和人设都挺一般就是了。为了孙锡久，跳着看完了，真心一般。
剧本一般 不过两个主角化学反应蛮不错的 不会出戏
好鸡汤真的特别鸡汤，特别是教练对他说的话，也算是一个草根奇迹了，不过爱情篇幅有点过大
两个人一起吃饭（热聊）的桥段我能看一万次、孙锡久什么神仙“我挺大的吧”哈哈哈哈哈哈
虽然套路都差不多但还挺喜欢看这种成人爱情片的，但是即使如此这种男的也是万里挑一好不好韩国人不要再搞这些不切实际的东西了！！
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