Marco (Mario Casas) is a young businessman who manages one of the most successful technological companies in the world, ALVA, which has just launched its latest prototype into the market - CYCLONE, an electric car propelled by turbines that turn wind into energy. His friend and classmate Diego works with him, along with the latter's wife, Bárbara, the efficient marketing manager of the company. Eva, a young, ambitious engineer who has a lot to hide, also joins the team, and she will disrupt the balance at work, both emotionally and professionally, between the two business partners. In spite of being a popular guy, Marco, unlike Diego, doesn't have an exciting social life. He is a solitary man, and no one has access to the intimacy of his soul, apart from his psychologist, SARA, on whom he is emotionally dependent. Marco is haunted by a huge number of ghosts from his past and, although he tries hard to scare them away, he only finds comfort in sport and in frequenting a private club. People go there just to get pleasure and give free reign to their wildest erotic fantasies, without fear of falling in love, as everyone has to wear a mask to hide their faces. But everything changes when Marco meets Carol, the new educational psychologist who looks after his brother José, an 18-year-old boy with problems of autism, with whom he has a difficult relationship. With her, he will also meet his worst enemy - himself. Thanks to her, he will discover that it is never too late to love, even if it brings some pain along with it.
可以看，没有物质基础的爱情最终以悲剧收场，有了财富又换不来真心。几个主演演技还是差了。特别是女凶手，对比旧版米亚法罗也差太多了，完全沦为盖尔加朵的陪衬，只是一个工具人。
不会改，不会拍，阿婆看了要骂街（gāi）。
连风景都是绿幕合成的，实在看不出什么诚意……布拉纳老师真是用实力证明自己的奥斯卡提名有多水……
惺惺作态的表演，虚情假意的台词，矫揉造作的镜头。
甚至记不住新郎的长相。除了波洛，所有人的脸都脏兮兮
老影城cinity厅最后的纪念。画面貌美，缺乏推理，有些情节离奇，比如一上来长镜头描述二战以及最后呼应强加的感情线
画面很棒，没看过老版，就是后面侦探是怎么得出结论的没讲明白，有点闪
华纳你是年终预算没花完，撒钱找导演拍烂片，赶纳税申报吗
观光，顺便破个案的感觉，如果第一次看这个故事感觉应该还好吧
大银幕的胶片质感给了电影一份很好的观影体验，虽然女同和黑人的当代设定有些刻板，无奈阿婆的故事实在出色，经得起任何时代的魔改。
没看过之前的那部 没看过原著。最后终于明白了 当头 为什么前女友看着当时的男友和盖尔加朵第一次跳舞，就默默看着流泪了，就像要失去他一样。还有 最好的惊喜彩蛋 莫过于那位 you know nothing john snow的火吻女
一开始就猜到凶手，但没想到Book和侍女也会被杀，有些可惜，爱让人疯狂
比预想的好很多，但比期待的差了一点。1，编剧没有深入生活，福利院的孩子除了本身有名字的，全部都姓“党”，因为是党在养育他们，所以不会出现李红旗这样的名字，有点想当然了；2，虽然考虑细节在最后有了拿弓弩和猎枪的小喽啰，但是他们从“看到杀人惊恐”到“与JC对峙”的转变实在太快，逻辑崩了。编剧再走点心，这片子能更高分。
但只有83分钟的时长就是耍流氓。
电影画面过于美，美得不像二十世纪初，不知道的还以为是2022年。还有好莱坞为了政治正确加了好几个黑人角色，又要诅咒波洛冷血无情没人爱，当场气死我了！电院看完回来怒看78年版和阳光下的罪恶。
不小心买成国语版，听了两个小时翻译腔如坐针毡。镜头剪辑流畅，演员演技到位，拍得十分工整挑不出什么毛病，但仍可以说是无趣到家，特别是观影过程中时不时联想到之前看的利刃出鞘，虽然两部片子可能缺乏可比性，但可看性起码是差了太多。除开本片90%用于致敬经典翻拍情怀的意图外（事实是也没感受到经典的魅力在哪），剩下像我这样没看过原著的人冲着的10%的推理可谓是灾难级别的。不知道大侦探波罗的风格是不是本就如此，把对所有人的怀疑都通过诱导式的审讯抖落一番，然后没有展示什么搜集证据的过程，大部分时间里都在多愁善感和一惊一乍，最后波澜不惊的指出凶手，说是推理更像是什么伦理片。文本的时代局限性决定了可看性的上限不高，就算是冲着盖尔加朵来的也只能看到中途领便当的女主角。埃及的景色很美，黑人布鲁斯很有腔调但不和胃口。
缺个lana del rey 倾情演唱整张原声带 远远不及当年东方快车 绿幕做的埃及倒是山河壮丽 没有1978版的表演生动 但没有前作在先也还能看 kenneth很不错
还行，视觉特效很多，想去埃及，但是故事情节毕竟翻拍，一般点。
因为疫情无法出国拍摄，但特效也太廉价了点，卡司也弱，没有顶级大咖，两位女主平时看都是女神，可这片里怎么就没那么美了问号，服装化妆也极弱，这片本来是应该如一场T台大秀+大咖云集+异国风光的，结果搞成这样，LGBT的政治正确算是一次进步，但开场那段导演也太自恋了些，对比一下78版，哪哪都不行。看完这片，倒是勾起了再看82和78那两部的欲望，太太太经典了，建议有预算的女生直接照着这两部里面的裙子随便来一条就能亮瞎十条街
拍得好油腻啊。肯叔真tm会给自己加戏。这个一脸横肉的油腻艾米汉莫怎么可能娶到加朵的linnet。看完只想去埃及看金字塔游尼罗河。
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