这是Richard Lester最好的一个片。
An absurdist classic
This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth?, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example: "And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge?' - and the mummy bear said, 'that's no porridge, that was my wife' ". Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to "keep moving!". Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.
飞机上面看的…拍得工整但感人啊…人物塑造都挺精准的
当你最失落的时候，有人说你可以的，你ready的，多重要啊 YF
老头他妈的太惨了，我不忍心给他打3星[破涕为笑]
剧情简介里写的是“棒球明星”？能不能走点心…
并没有，它仍存在于那些曾见过它的人心中，并持续发挥影响......
写男主的困顿生活比较多，开那么远车两天被辞退就因为说一下没上场有点儿过分吧，打击也太大了，还好男主never give up
相比第一部确实退化严重，惊悚压迫感少了，肉搏多了，老头武功变菜了就是打不死。6.9/10.
狗尾续貂的作品，最精彩的是小女孩躲藏那段（多加了一颗星），很有压迫感和紧张感，除此之外毫无亮点。老爷爷依然是原本的人设，而后新创了个故事，可所有角色的单薄，让后面反复的洗黑洗白，无法使人共情，角色脑回路也不正常：明明开篇可以一枪击毙老爷爷，一群人偏不；老爷爷发现有人入侵，第一反应不是拉电闸，而是硬刚，不杀人用胶水封对方口鼻，也是没谁了；明明为了活人心脏，傻大个却放水又放电，这是要搞死小女孩啊；反派放狗抓老爷爷，但不跟着，结果狗被对方救了并倒戈，好尴尬；原以为小女孩被带到一定远的地方，结果手术还没做，老爷爷散步过来了；老爷爷能平安找到反派，纯粹靠反派队友良心发现倒戈；明明可以杀了反派，老爷爷却只弄瞎对方眼睛，结果反派3分钟学会听声辩位来反杀，也是没谁了。整体逻辑不通，故事人物单薄，真心不行。
主角延续了上一部的人设，剧情并没有延续，这部更正面一点，退伍瞎玩大叔硬刚黑帮毒枭，确实没有第一部那么吸引人……
第一部印象深刻的关键是密室封闭紧张的氛围和“盲”这个元素在黑暗中的最大化运用，这部沦为模式化（烂大街爆款）的逃杀复仇片。
这部惊悚感削弱不少，不知道是不是铺垫不够，人物动机，行为逻辑也有问题，地下室逼老头出现那段，按照正常思维，老人一出现，恶人必会先开枪，还有时间允许你近身肉搏么……，主角光环也不能乱来吧。影像设计，视听语言上还是了些功夫，但并没有给片子增添可看性。
我算明白豆瓣这帮装b犯了，这片儿多好看呢！瞎老头大战群匪，就算不是在一个单一场景光这个设定就很牛逼啊！还有在那儿嘲小姑娘长相的，她演技多棒而且也很灵啊，嘲小孩长相的人最垃圾！以及，要是再来一遍瞎老头在密室虐杀小贼，那帮人又该嚷嚷没新意了！这世上没有电影配得上他们！
Warner已经到了可以被拍传记片的时候了……
体育运动很容易激发观众的热血，从小人物到举世瞩目更能唤起人们的共鸣。电影节奏不错，音乐和场面的配合到位，激情与励志的气氛浓厚。
比第一部多了血腥，却少了那份屏住呼吸的紧张感。
从恐怖片变《飓风营救》了？老头也太能打了吧，纳美人瑟瑟发抖。一部戏同时完成弑父和弑母的两大悲剧主题，女主也太悲剧了。
典型励志美国梦。Levi演大学生实在是有点出戏。
确实是把老头定位成正面角色来拍，但是剧本仍设置了一个不错的讨论环境
老兵抢了个小女孩来养，生父带着特种兵好哥们找上门来夺女儿，不过这又放电线又浸水的是几个意思？原来生父救她回去，是要她心脏移植到妻子体内，老兵靠吃里扒外的小黄追了过去，最后小女孩亲手解决了生父，老兵也受伤死去
3.5星，没有第一部密室场景的紧张，但这部的剧本还不错，老兵也算是将功赎罪
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