"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
警察避弹衣，悍匪白T恤，导演你认真的么。220727哇，六十万一斤
zzd的角色太白痴了，我真的，多给一颗都不行
谢霆锋真的帅炸了，演技也是收放自如，能麻烦你多拍点电影吗😂
第一季冷饭换了种炒法，想起了当年初中追刀剑的我。观感挺不错，希望再多炒一点
速度，爆炸力，几场情绪戏也把握不住
这么多年过去了，那个耍刀的男人还是这么帅。
双雄对峙的剧情台词都不够张力
每个给香港枪战片配感情戏的老婆，都是工具人，都为了被绑架。
明知道不对，但总觉得谢霆锋那个角色复仇得好
重情重义，缺乏细节支持的标准动作片。
必须吹爆！本来以为是炒冷饭，为了十年情怀看的，没想到那么精彩！让我回到了初三那会第一次看刀剑的纯粹的感动。原创角色本以为是鸡肋的剧情工具人，居然让我很感动，是好工具人！补全了亚总的人设和成长轨迹
“你问我那天去追可乐的如果是我，事情会不会不一样吗？会。可能我不会打死可乐，富豪会死，我们再无前途。又或者我打死了可乐，我会自首，不会开庭。是啊，我在剧中就是这样伟光正的人物啊。我有时候在想，哪怕在庭上我说的是我没看见呢，可我的人设做不到。”
还记得熬夜追番的时光，那时候学业繁忙，依旧偷时间去追
三星半。传统香港警匪片，诸多肉搏镜头，打得很爽也很疼。港片看多了简直鼓励反社会人格：认真的人互相较劲互相消磨，一帮窝囊废坐享其成。从此再没有陈木胜了。
后面几年我买了刀剑系列所有的书，包括6本进击篇，这部影片就有当时看第一季，艾恩葛朗特篇的感觉了。随后的妖精之舞篇，幽灵子弹篇，绝剑篇，爱丽丝篇，甚至目前最新的生存游戏篇，我都觉得不如第一部。
这么说吧，这部剧总的来说就是亚丝娜和前任来了游戏后被骗人背叛，被桐人拯救后跟上桐人的剧情，强行插进去的剧情，时间线就是SAO第一层的时候。总的来说，老粉丝别看，容易恶心死。
一善一恶来到教堂进行最后的PK，
每个给香港枪战片配感情戏的老婆，都是工具人，都为了被绑架。
没有很惊艳但很有情怀，有闲之时和十年前的自己一起看一下吧
陈木胜的遗作中规中矩，没能突破自己
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