Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
开头以为是谍战片，看到最后发现原来是爱情片，整个电影以一场对话为线索贯穿始终，借用经典的插叙手法带着观众回顾事情的始末，最后虽揭露出是男主走漏了消息，但他是为了保护女主，这种情节其实还挺老套的，不过作品的整体节奏处理得还算不错，稍微耐心点还是可以坚持看完的
叫“为爱放弃一切”或者“中年人的办公室爱情”不行吗？
整个故事其实有点意思，但是前半段昏暗的餐厅和零碎的往事也是暗色的，很闷
在绝美的酒店里，在灿烂的夕阳下，在男主灰色的眼神中，一个爱情故事以悲剧终结。
一开始说先去伦敦再去加州我就觉得顺序有问题。
两个人你不说我不言，以为用了最合适的方式守护了对方
吧啦吧啦就讲了一个多小时，编导你们真不困吗
分偏低了，节奏很流畅啊，虽然有些经不起推敲的硬伤
这么好的电影不知道为什么豆瓣评分那么低！算近期的惊喜，Chris成熟的造型有了布鲁斯南的味道。倒叙手法工整细致情节无明显槽点。叙述的层层递进抽丝剥茧，最后还是用最虐心的答案讲圆了故事，爱情的伟大陡然凸显，任何人和组织结缘的那一刻也就是沦为工具的节点，没有哪个集体会丧失所谓整体的利益为你买单，关键是任何集体都是顶层少数决策者的自私妄断。没有违心的失信，就没有受制于人的无奈，但是，恩怨情仇，因果报应，都不应该成为以爱为代价的理由。
无谍战无枪战无动作，只有爱情。
没有追车枪战，讲了一个谍战故事。剧本很好，演员演技在线，讲了一个凄美的爱情故事，男女主为了对方互相付出，最终却凄惨收场。
剧本不错，但看完脑子里就是∶所以这就是为什么让特工不要谈恋爱。
这种题材的片子为什么要拍全果露点的床戏...没看明白结尾。男主自己做的为什么还要去查别人……
看似精彩的反转，紧张的对立，背后却是经不起推敲的逻辑
太太太無聊了吧這電影，除了Chris Pine的屁股外一無是處🚬
宝刀未老的名字很奇怪诶 但是不影响是不好看的电影 要不是因为这个名字 差点半路弃了
多年后的所谓审判也只是派为了获得女主为什么不辞而别吧。
气氛、BGM、悬疑都烘托到这了，结果就这…傻白甜特工的纯纯的爱情？！🤔️老刀不行啊…不过海边和落日餐厅是真的美。
为什么取这种名字害我浪费近俩小时？
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