Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
画面不错，剧情节奏有点怪的奇幻治愈片，大平晋也式的三段作画不错，也许值得一看
看到最后，那个光用的、滤镜加的，我以为是Share house 广告片……很典型的日式糖水片。
天海老师太好看太可爱了吧！！！合租房只有在电影里才如此让人向往。
当别无选择时不要妄自菲薄
东日本大震灾版的“夏目友人帐” 河童家族是相当可爱了 治愈系的风格 让人又哭又笑 面对人生的无常与伤痛 我们都只能尽力而为
画风也很清新
芦田爱菜总会接到一些冷门题材、奇奇怪怪的作品啊... = =lll
我明明什么都没有做，为什么偏偏是我；我们没有选择的权利，只能尽我所能
妖怪向的日漫始终是我最爱看的 虽然结尾略显仓促 整体呈现不如《给桃子写的信》更深刻 但依然是治愈满满
想住在悬崖边 一座房子 一群树林
真是一部合家欢的电影啊～好久没看这么纯粹的电影了
真够无聊的，看无聊的电影实在是一种折磨。前一个小时不知道睡过去几次，后四十分钟实在忍无可忍，拖着进度条勉强算是看完了。田园系的画风配上这稀巴烂的故事情节真是浪费。
设定很有趣，这个题材可以有很多种表现方法，却有意把节奏拍的很慢，很奇妙，娓娓道来的感觉很不错。就是短了点，驱魔显得很草率。嘛，倒也符合整体的氛围。
谁不想拥有一个能跟佛祖和合同交流的房东，以及一个如多拉a梦一样的家呢
当别无选择时不要妄自菲薄
大概是画风和声音做的很舒服tv上放着有10几分钟竟然睡着了，回过神差不多放完了
前半段超级棒，不管是讲述传说故事的突击画风，还是配乐和剧情推进，都让人觉得惊喜。从迷途之家开门放人之后的桥段稍显拉胯。
日本很喜欢他们的妖怪啊，也很想拥有一间可以把自己照顾到好好的屋子
是我喜欢的故事和风格。跟小朋友一起看也可。
本来很清新自然的风格，非要加入暗黑系的妖魔鬼怪，不太能接受。
Copyright © 2015-2023 All Rights Reserved
