With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
多了几只狗狗新角色，都很可爱。
大人说着孩子语言，这不是古希腊神话的精髓吗
大电影算是三个小短片的合集，有温情有惊险，不到三岁的孩子看了紧张到不行
2022年1月15日15：00
特效登峰造极，呼吸和心跳几度被拿捏，马耳他街头追逐和Biosyn园区几次人与恐龙的遭遇，让人再次惊叹于好莱坞工业的生产力。
陪女儿在六一儿童节看的，整体流畅，能量正面，观感不错～
2021.9.21，Cineplex。带心意一起看的，也是意第一次进入电影院，买了儿童套餐，有吃有喝有玩，非常开心。情节幼稚，但也有趣，也感人，有个人（狗）成长，有团队合作，有新人（狗）崛起，作为一部儿童片，非常合格了，很多地方拍出了大片的既视感。看完意告诉我，再厉害的狗狗也有害怕的时候，真正的勇敢不是不害怕，而是害怕但仍然努力的去save the day！嘿，get到了这电影最想教育你们这些小P孩儿的point！
陪家里的小朋友看的 小朋友很喜欢 大人看着看着也投入进去了
制作精良了好多hh虽然剧情挺平凡的但讲得还可以，给小朋友看还挺不错的。因为电影里毛绒绒狗狗直接五星！
天天果断炸飞机是最燃的一刻，girl's power
6.5/10。非常适合儿童观看的电影，小狗都好萌。看到一只只狗狗驾驶着酷炫战车在轨道上飞驰，我心里在想：这个玩具会大卖吧哈哈哈好世俗的人。唯一的弧光是警察小狗，但挫折太直白，解决太直白了。猫又一次成为反派，我们猫猫什么时候能站起来！
意外的还不错呢，大屏幕的狗狗发丝柔顺眼睛水汪汪更加可爱了，阿奇作为第一男主狗戏份最多，还展示了楚楚可怜的一面，不太喜欢一设定是，莱德说因为觉得阿奇是最勇敢的狗狗才捡他，说他注定就是英雄。阿奇真是背负太多了呜呜呜
优点是足够短，一个小时多一些，适合坐不住的小朋友。
孩子第一次真正坐在影院认真看电影，片尾曲我得单独再听听。
看了开头和结尾，中间睡着了。儿子看的很激动
2202年，狗狗才可以拯救人类，救援场面，有点像看狗狗版的007。孩子看得哈哈大笑和鼻涕眼泪都流出来了。
带孩子们在电影院里看的。儿子居然被阿奇感动到哭了。不比动画片强太多。
带3岁半儿子看的，人生第一部正式电影，看得入神。说最喜欢阿奇理由是摩托车帅……
哪只狗狗不想在工作完成之后听到一声 干得好 狗狗们呢/哪只狗狗不想有一辆工程车或摩托车或跑车或直升机呢/阿砾最可爱
狗狗有毛了，但是故事还是有很强的拼凑感，有些笑料也略显低级，陈旧，不过还是一部合格的低幼片
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