Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
苏联的英雄片，冻死人的风雪，奇迹般地活下来，还能二个义腿重新打击侵略者，这个不错。
比想象中好看很多 对比预告剪的很一般啊 背景故事也很满
不是每个游乐项目，都能拍电影。也不是每个船长，都能叫杰克。
本来以为是和地心探险类似的迪士尼奇幻探险片，没想到看了一部《鬼吹灯 之 月泪神树》——强森化身胡八一，为摆脱诅咒，和得到“摸金符”（神簇）的雪莉杨（艾米莉）一同踏上水底深宫的探险之路～ 一路上藤精树怪，毒虫巨蟒，百年僵尸，一边打怪还要对付开来潜艇的战争狂人～剧情虽然偏低龄向，但是特效画面真的是很值得《鬼吹灯》借鉴～艾米莉水底画面真好看，打戏也不错，她会不会成为乌玛的后继者呢？
迪士尼的东西是越来越没有新意，冒险动作片拍成了儿童主题乐园，过家家般的剧情，喜剧的元素也大大削弱了冒险的危险惊悚感，特效丰富的场景又放在又黑又暗的夜晚，就很鸡贼，不死诅咒的梗也是加勒比海盗玩剩下的，强森和艾米丽布朗特演起喜剧来倒是得心应手，不过又是不断地重复自己，反倒是那个长得像小岳岳的德国反派算是亮度，结局又是皆大欢喜，迪士尼，早已经没有新东西。
对比原版美版太直给了反倒破坏了悬疑的气氛…
改编自迪士尼乐园游乐项目的大女主合家欢电影，《加勒比海盗》+《木乃伊》+《夺宝奇兵》+《勇敢者游戏》的成熟套路是资方最喜欢的稳妥模式。巨石强森的角色类型几乎已经固定，艾米莉·布朗特则中规中矩；整部片子虽然匠气完全盖过了灵气，惊喜乏然但不失精彩，仍是近期很不错的冒险题材影片。画面精致、电影原声带+1星。
强森的冒险旅游连环小骗局，真是爱了。
不太理解这个贯穿始终的哮喘和十分不讨好的人设。虽然通过短暂的工作过程 就让观众get了为什么这个警官的性格造成了误杀的情况，但是个人觉得和主角没有共情。有些还不知所以然就展开了剧情。对于联系观众的感情有些赶鸭子上架的感觉。一些细节处理上还是有突兀和不恰当的地方：本以为这个给了很多镜头的戒指是有很深刻的主线呼应的，但是通篇看下来应该也只是对原先的家庭还有留恋，不舍被判后很多年不能再和女儿见面。还有女警官在整案件的处理结束之好的一句对主角的安慰台词“落魄之人拯救落魄之人。”跟整体的台词风格很不搭。削弱了整个紧张案件处理过后，主角通过自省后得到的答案的效果，反而因为这句上帝视角的话，主角的幡然醒悟，决定让即将给自己做脱罪证人的搭档说出自己的确有罪的实情看起来有些生硬和赶节奏。
荒野求生还行，其他就算了！不过，根据真实事件改变，原来那个年代真有这么多断腿飞行员。。
夜深了。03:45，CCTV-5体育频道开始直播2022卡塔尔世界杯预选赛欧洲区意大利对阵瑞士。比赛进行到11分钟的时候，瑞士率先攻入一球取得领先。这几天我的睡眠生物钟又乱了。白天睡了一天，昨晚七点多才醒来。我好像陷入了一个大的循环，睡眠时间从22点、23点、00点、07点、12点、18点，这样看也还是有规律的。最近几天心态平稳，没有看朋友圈也没有聊微信，也没有去影院看新片也没有去资料馆。此时此刻我正在吃切片吐司，因为有点饿，家里也没别的吃的。下嘴唇的溃疡还没好，吃东西有点疼。照了照镜子，发现头发又变少了，体重还是160，哎，我17年辞职以后，就把120的数据永久写入了历史，回不去了。步入中年后，感觉没有了朝气，每天过的清汤寡水，没有忧伤也没有欢愉，对未来也没有希冀。
老少咸宜的合家欢，迪士尼元素齐聚的冒险片。 这部电影就像周末时，我们带着家人去游乐园寻觅开怀时光，期间所游玩的各类项目。 它们有的惊险刺激，有的治愈温情，你当然可以明显看出这其中的熟稔套路，可以轻易猜到下一步将会发生什么，但当你看到家人脸上的快乐表情，依旧会不自觉地乐在其中。 恍惚间，你仿佛也回到了小时候每周六晚十点，守在电视机前等待《佳片有约》的深夜，回到了小时候和爸爸妈妈出去旅游时无忧无虑的快乐时光。 这么多年过去，身边的人来来往往，只有爱与陪伴，才是不变的追寻。
根据苏联伟大卫国战争期间截肢复岗飞行员真实事件改编
快看睡着了，看得出来想弄一出加勒比海盗式的娱乐片，所以又是探险诅咒解谜这老一套，强森当然也是有魅力的，但这个角色真的比杰克船长差太多
拍摄技巧和节奏调动成熟得像流水线一样精准，老少咸宜得让人无奈
谈不上，受益匪浅，但可以说有所收获。这是一部对我个人来说的欢喜之作，它没有过多亮点，仅是我个人视角下的滤镜所致。不可否认的是，好莱坞真的太久没有给我带来惊艳之感。惊喜都很少，大多是枯燥与惊吓。本片中的许多镜头竟让我看到了《爱，死亡与机器人》里最后一篇的几个镜头，太过神似，以至于我差点有穿越之惑。
试问哪个民族在驾机轰炸歼灭敌军成功返航的路上可以哼着小曲？我们都是广阔大陆上的一部分，在战争中个人只是棋盘中的棋子而已，不管是战友还是敌人，请敬畏生命，还原真实，停止鼓吹战争
丛林的残酷食物链在动植物环节刻画的开门见山，人类嘛，情感滤镜柔光大开，淡化矛盾美化恩怨血仇。于是午后暑假番这样刷起来，轻松
女主毛妹颜值不高，差评。
艾米莉有一段没有演这种花瓶了吧，最后的男装真帅！
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