To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
我觉得挺好啊，笑点还是有一些的。支持佳佳。
挺有新意的，低成本电影，真的不错，有意思！
比很多院线电影好看，不过后面20分钟太啰嗦了。挺好一个故事
剧本成熟，很好笑。
能看下去那种，说实话演技是没毛病，比好多大制作演技真实，但是故事比较平
我最喜欢的歌舞片类型，现在不流行了。小男孩唱歌真好，很有表现力。
晚上看了这个和李茂扮太子，感觉还是这个能看点。。
生动解释了“降维打击”和“内卷” 结局没什么必要 一部轻轻松松的网大 逻辑不严谨 看着有点膈应
干事情就一定要有自己拿手的活，崔志佳擅长于把小故事来抖出无数个小包袱
导演的拍摄手法被人诟病，豆瓣评分5.4，依然挡不住我对它的喜爱。喜剧能不能逗你笑，其实没有个标准，因为大家笑点都不一样。好的喜剧不是因为它可以戳中所有人的笑点，而是它总能想办法让你和它达成共情。
故事还算完整，下饭乐呵乐呵还不错。
完整、成熟的网大喜剧，没有明显的短板。崔志佳或许在辨识度上不如网络电影里的张浩、宋小宝、宋晓峰，但他的创作能力是遥遥领先的，这一点无疑会让他走得更远。
挺有意思的 原来大家都喜欢刷抖音 菲比也老了
不整点下酒菜都不好意思看这电影，开怀大笑很多次
主题曲节奏还挺喜欢的，尤其鼓点，广场那段唱歌的戏最喜欢。小男孩追梦过程想到了年轻时的自己，感觉好真实。非常好看的一部戏。有轻松有感动。
居家软隔离，看烧烤之王，的确让人想吃烧烤。摇人摇的场面弄小了，再有点别的烧烤加入就好了，让人意犹未尽。
还挺有意思的，起码一个故事讲下来了，比那些花里胡哨的大电影强多了。小烧烤必须支持一下啊。就是这个结局的反转感觉有点突然。
顾客是善变的，营销就是要不断的推陈出新。工作还是要选一个自己喜欢的才会长久，才会有激情才会有动力。
男主的哥哥真好看啊啊啊啊啊又清秀又阳光运动
family means no one gets left behind
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