Alex de Renzy (FEMMES DE SADE, PRETTY PEACHES) was one of the greatest directors of adult films ever, his career starting in the late 60's and preceeding well into the 90's. So saying that BABY FACE, stands as his crowning achievement is no small praise. This ranks as one skinflick that truly has it all, a complete storyline, fine production, and a couple of decent acting performances and some of the hottest sex scenes ever assembled in a single movie.
Big, lumbering Dan Roberts stars as the hapless construction worker who has to go into hiding following his seduction of underage but willing Priscilla (Lyn Cuddles Malone) which incurs the wrath of her religious fanatic of a man. After a near-fatal accident leaves him unconsciously drifting in the bay, he is saved by fan favorites Amber Hunt (FIONA ON FIRE) and Linda Wong (SWEET CAKES) who clean him up and then some. Hunt comes up with the brilliant idea of taking him to the Training Camp, a brothel catering exclusively for rich women and run by her aunt, affectionately referred to as the Champ.
This fancy cathouse provides the perfect backdrop for the movie's myriad sexual situations, nearly all of them handled with great style and enthusiasm by cast and filmmaker alike, shot through with a wickedly subversive humor. Standout scenes include gentle giant Roberts tender initiation of the eager Malone, their contrast in size providing an instant thrill all by itself, and the late great Kristine Heller taking on pretty much all the guys present in what has to stand as the single greatest gang bang sequence ever committed to film or video.
印度大片就是这个味。明明预算拉满场景都很精美，但是人物就是很浮夸，有些道具特效就是带点假，然后看着又巨爽。抵抗殖民的故事我们应该都能有所共情，类似于曾经中国的霍元甲黄飞鸿电影。最追求的是动作视效，其次是民族心，功夫是真是假刀剑棍棒能不能打赢枪炮都是次要的。
张麻子不发银子直接发枪，发枪之前要把民众内心的怒勾出来，还要哼唱一曲：枪在手，跟我走，杀四郎，抢碉楼。还以为我们的抗日剧抗得都不好意思了，阿三抗大英帝国那叫一个脸不红心不跳，燃就完了。顿时间原谅了《抗日奇侠》《松花江上的枪声》《神枪》《炮神》等一大票抗日大戏。双雄将荷尔蒙拉满，满满当当三个小时超燃倾情奉献，又打又跳又乐呵。影片通过夸大的效果实现了最低级最廉价的共情，还有意无意向历史人物原型献媚，做作恶心到没边。
"There‘re always some hope." "We'll be better off without it."
减去的一颗星是因为电影对英国绥靖纳粹的过分洗白。
（温莎公爵你怎么在这?x）
一贯的慢镜，浪漫，特写神威，当神话片看就挺好的。
角度很有意思
二战的电影非常多，但签订苏台德协议场景重现的，第一次看到。这电影不错。
说完永别却又见了最后一面，在战争面前一个个体要如何力挽狂澜。（换一个角度：Paul/Hugh，好嗑🤤🤤🤤）
最新的印度“主旋律”大片，抗英神剧，场面、动作、歌舞、视觉效果做得一流，真不错！据说在印度和北美、欧洲市场卖得很好！刚看了英女王登基70周年的辉煌盛典，再看这个“手撕英国鬼子”的三个小时长的“战狼”大片，感觉更是怪怪的，一切辉煌的历史成就后面，都有着血泪斑斑的悲剧一面啊！
承认别人优秀很难吗？
英、德兩青年——尤其是德國青年——在愛國與「叛國」間遊走，本以為會寫得更深刻、複雜，電影中卻把政治演成兒戲，雖然也符合青年空有熱情的常態。
德国地下抵抗组织呜呜呜
PS.原来阿莉雅只是个承上启下打酱油的角色
脱离实际历史，演员的演技都很到位，故事也扣人心弦。前半程的镜头晃动来营造紧迫感，有点头晕。 如果联系真实历史，给绥靖政策找一个角度来辩解的话——绥靖政策是给英国本土充分的备战时间，貌似有洗白的嫌疑。
“我们无法选择自己生活的时代，我们唯一的选择就是如何回应”
配乐和情节还是蛮不错的，当然也是够神的，一个礼拜一顿饭，人家照样引体向上跟玩似的。后面二人合体惊煞我也。视觉效果不错，人物刻画鲜明。
A twist after a twist after a twist after a twist…
本想说咱都受过帝国主义苦，看在阶级友谊上要严肃看待这部“南印版战狼”。可是对不住啊，兄弟，你这挂实在太欢乐太浮夸了，载歌载舞又实诚，全程笑得合不拢嘴。俩角色历史原型虽八竿子打不着，但人物形象的宗教隐喻，配这夸张的动作特效十分爽快。Bheem的“水之化身”与森林之子要结合历史才懂；Raju直白到干脆把罗摩的行头套身上了，连Alia客串的女配都是神话中罗摩的妻子悉多。这时候真恨不得速通一遍印度史诗，好把每一个镜头的宗教意味搞明白。果然，印度电影未来要靠南印。北方孟买什么的已经被网飞突突得差不多了。
Emmmm看得不是很认真，节奏舒缓适合静下心来看
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