Mumbai, the sprawling metropolis, the economic capital of India is synonymous with ambition and a drive for professional success and money-making : something Rahul possesses in ample amounts. Working in a BPO he has found out a sure-shot way to his promotion - the key to his uncle's apartment where he is the house sitter. His colleagues and superiors use the apartment for their sexual escapades and return the favour to Rahul by offering him job incentives and promotions. Rahul loves his colleague Neha, but he's shocked to find out that she is in love with their boss Ranjeet who is a married man and on top of it they use Rahul's apartment for the purpose of their secret dalliance. On the other hand, Ranjeet's married life with Shikha is on the verge of collapse. Unaware of her husband's infidelity, Shikha finds solace in he company of an aspiring actor Akash and their friendship threatens to blossom into a full-fledged affair which might shatter the foundation of Shikha's married life. Meanwhile, Shikha's younger sister Shruti is searching for a suitable groom for herself through marriage portals, and it's then that she meets Monty. She harbours an instant dislike for him but may find out in the course of time that opposites attract, after all. Then there is the story of Shikha's old dance teacher Vaijayanti who is widowed and lives in an old age home and her former love Amol who rekindle their romance in the twilight of their lives, against all odds. The turmoil these relationships go through force these people to make some life-altering decisions.
虽然题材一般感兴趣，三十+没出人头地的困境也毫无共鸣，但加菲猫和lin-manuel诚意可嘉，agent说必须不停write write write扎心了…
去年被推荐的非常多的一部电影。看完之后只感觉非常唏嘘，并没有特别喜欢这部电影。命运总是对苦命人特别不好，八年的努力出来的剧本没有人要，对，创造者总是不被赏识，有的人就坚持不下去了，有的人就差那么一点。这不是个好故事，人生本来就很难是一段好故事，苦难而已。
You just wanna lay down and cry
以为是新的，其实是抓去见九柱的合集，动画21-26
已经对这种中规中矩的传记片有些审美疲劳。疲惫又热情的加菲。
是鬼灭最有趣的剧场版之一啊 虽然是剧集版抽出来的 不过没关系啊 还是很好看就是了
林聚聚在电影里铺了很好的一段路。他没有试图进入音乐剧改编电影的怪圈，而是运用自己作为音乐剧作人的力量，把电影改编成了音乐剧。我看了很多音乐电影，多是用夸张和戏剧化的视觉表现去扩展音乐剧被舞台限制的想象力。但林聚聚一直把重心放在TTB上，放在乔纳森自己所讲述的故事上。我的感觉是花了两个小时看了一部新视角的TTB音乐剧。这种模式是我第一次见，也让我感觉特别新奇。
其实整部电影都在讲，为什么是他，也只能是他写出Rent。
每个写不出文章的夜晚，也会像拉森一样，听着脑海中的Tick, Tick…然后焦虑于30岁之前自己是否会取得成功。拉森的天才和早逝，为整个故事蒙上一层悲剧的色彩，但是他对艺术纯真而热烈的追求，和朋友们对他真挚的爱意，又让人觉得，life is still beautiful.
脆弱、神经质都有了。秒针走动的声音也贯穿全剧。但是剧情太跳跃了，经常进不去。
没看进去，全程如坐针毡，如鲠在喉，如芒刺背。情节简单俗套，表演肤浅浮夸。不知道是为了复古还是怎么着，曲风很老，不抓我，而且感觉唱得时机非常怪，为唱而唱，强硬程度堪比拿着大声公指挥情绪。编剧有野心，努力想学着用剧中剧提一提档次，奈何才华没撑起来，最终沦为自吹自擂，不过“没有人能只通过描写自己而变得伟大”，更何况是一言可蔽之的人生。讽刺的是在众多追梦综艺，电影的当下，本片作为一个完全不接地气的竞品呈现了它看不上的时代，“每天上演着千篇一律的作品”，甚至做的更糟糕。
过分戏剧化，隐隐约约能看到很多好莱坞传记片的影子。但真情实感被感动，眼泪不值钱。音乐也是真好听。
就是把tv版的剪辑了一下，不过也好，帮助我重温了一下之前的回忆，毕竟很多剧情都忘记了。
有些人来这世上就是为留下一些东西的。RENT影响了我十多年，今天看完Jonathan Larson的这部传记音乐片，把RENT又翻出来听了几首歌，Seasons of love一出来眼泪哗哗的流，音乐穿透时空带给人的力量和信念感，直击心脏。感谢这世界上还有艺术家，感谢艺术家留下的这些作品。
EP.1-7 《无限列车》
才华的绽放在死亡之时最渺小，却在之后盛开。
我不理解为什么rating 如此高 也许是我的问题 我觉得太吵了 音乐和剧情的衔接有一丝丝刻意
是因为疫情无法顺利制作第二季吗？鬼灭一的精华混剪好多。
这只能算部分动画合集吧！虽然打斗的部分较少，但剧情还是不错的
安德鲁从《主流》片场醒酒后装满所有能量和精神完成了这部好戏及音乐剧。每一位角色都可爱有趣，每一个音符也都好听。遗憾不能在影院享受。
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