Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
先看看3ds平台有哪些索尼克游戏吧～
亟需在影院宽敞的座椅上睡着、偶尔被前后左右的小朋友笑声吵醒的观影体验 @ AMC Raceway
显然又是狗尾续貂之作，经费大开却只是胡乱的拼凑，上一部还算中规中矩，这一部便显得过犹不及，用力过猛的逐一崩坏，原本尴尬无语的情节变得更加不堪入目。时势造英雄，团结破死局。蛋头博士卷土重来，王者翡翠危机四伏，信任成为利用的棋子，仇恨带不来美好的明天，最后不过是依靠变身击碎了邪恶，冗长的拉锯才得以画上烂俗的句号。而索尼克不仅有了不离不弃的家人，又多了并肩作战的伙伴，惬意的生活更加锦上添花了，看这彩蛋还有下一部，我是真的会谢……
续集人类互动的戏份少了，索尼克跟女朋友发狗粮的剧情多了，西伯利亚斗舞设计的很赞。新加入的反派，红发傻大个只会用蛮力，智商被蛋头博士完爆了。索尼克跟反派互动依旧是嬉笑打闹的喜剧风格，笑点还是挺多的。
2022.5.6 看完啦!熟悉的剧情套路 比第一部好看一点点 就那样吧～顺便说一下 真的好久没看到金凯瑞了5555
8分。看哭了吴孟达状态好，完全看不出生病，敬业。网大顶流，剧本不错，演员不讨厌，歌好听，特效还行只要不是乱拍，大家都愿意至尊宝紫霞的缘分继续。拍摄地还是我们熟悉的镇北堡影城，前年去过全是回忆。缺点是道具敷衍了点，抢亲的蔬菜摊是塑料的，结尾紫霞的衣服后面领标还在…
这部电影在网大里面已经算是优质之作了，虽然可能受制于成本特效还是一般般，但在剧情方面没有遭到魔改，人物形象也都可圈可点，还是值得点赞的，也值得其他的网大去学习
海下神庙，冲刺机关，融合，超级蛋头博士。
就网络电影来说其实很不错了！ 主角紫霞选的很好！ 不错的！ 自媒体少拿达叔做文章！
达叔的表演很卖力了，可惜这个主题已经被星爷拉到了天花板，再拍不创新内容核心的话，就注定只是个陪衬。
标准好莱坞爆米花娱乐合家欢电影，俗套，低幼，跟上一部一样，不费脑子，纯粹娱乐逗趣，金凯瑞绝对亮点之一，为影片加分不少，两个小时片长略长，其实很多戏份可以删掉的，比如那场副线之外的婚礼，难不成好莱坞也遇到了资本进组加塞自己人？流媒体资源已出，国内估计后期会引进，但票房应该会扑的很惨，三星吧，无聊的时候在家里看看打发时间也好。片尾彩蛋预示应该还有第三部，暗影索尼克即将登场。
和第一部的观感大差不差，金凯瑞依然是全片最亮眼的角色，其余人类角色依旧很尬，有几个好笑的点，特效还是很糙，索尼克的速度上下浮动有点大。
非常非常非常低龄向，但特效制作都很出色，很多吐槽也很有梗，仅此而已，最后的彩蛋人物，了解索尼克系列的，估计会很High
都2022年了，动画片还能这么难看？说教意义好大。
用最多的钱最好的技术做最烂的产品，当然，祝金凯瑞身体健康，多挣钱。
金凯瑞的表演确实不错 很适合他的角色哈哈哈 够浮夸
还不错啊，达到了预期，就纯消遣放松一个娱乐片。故事和节奏比上一部差，但特效和场面是真挺足本的，做的很精致用心，够壮观够哇塞，比漫威近几年的片子好多了。游戏改编能做到这种稳定的平庸发挥也不错，至少值回票价
这样，也挺好。
那个宝石的设定既像无限宝石，又像魔戒，最后的机器人反派还像反浩克装置。。。
好希望能看到金凯利更多的电影啊~
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