The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
想法挺有野心,但把一季电视剧的量压成一部电影看着就又累又毛躁了
看的糊里糊涂!云里雾里!前一个小时完全没看明白!后面揭秘了,才算搞明白!有点类似于刺杀小说家吧!不过故意做的很混淆。本来是冲着土屋太凤去看的。没想到她基本就类似于比客串多几分钟戏而已!
近期看过的最好看的电影之一,不明白给两星的人用意何在。
剪辑超级无敌巨tm乱,镜头碎得一批。
看懂讲什么,但感觉莫名其妙的,那个秀吉是绿帽侠吗?
emmm……六分吧,不能再多了,饼哥最近没啥片子了吗。
沉浸式遇险体验+预防自杀干预导向,小成本的电影本身更像是一种价值观宣教片。
5.5分都高了!
I lost my dad 7years ago
纯粉丝向电影,Tony曾有万分之一的机会过上普通人的生活,但uncle Dikie的死也宣告了Tony从此将深陷黑道家族。
在无限地看雪景和救人里获得内心的平静,被所救之人救赎。大量的雪景和暴风雪,好像试图要我理解女主内心所追寻的平静,但是我确实不理解那个一看就是陷阱的洞到底是谁干的。
大部分时间的絮絮叨叨,真实和故事的穿插让人理不清头绪,最后真相大开的时候,还是觉得莫名其妙三千万被捐了。
一群黑帮冷血杀手不应该叫众圣。整部分就是不断轮番地为自己干掉的人送葬。
笑死,麦克弗兰西斯评论负零分。说意大利mob从来没和黑人那么打架,也不欺负女人
没看过剧集单以身为电影的它来评价 不知所云
经查,是一个特别知名的剧集《黑道家族》来的,电影小男主是剧集已故老男主之子。没看过剧集,单说这电影,像个低配版的斯科塞斯黑帮片。
强行加入的BLM元素让人并不舒适,两个小时对于人物的特点刻画来说显得有些太短。
帮助回想起了一些电视剧的情节,作为独立的黑帮电影那种不知道谁会随时挂掉的氛围算是给足了。
假钞与神隐,随着剧情推进,两条线索逐渐交汇在一起,一切都得到了解释。故事建立在巧合之上,却不会让人感到牵强。后来的发展是结局A,还是B,抑或是C?
①storm: a situation in which people suddenly express very strong feelings about something that someone has said or done.
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