Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
Roger Philip Mellor
漫威到DC之间的反复横跳黑，算是近期难得有被笑到的有梗喜剧了。
笑死，小成本恶搞电影，又有那么点人生哲理真情实意在里面，如果换成好莱坞来拍应该会更流畅，质感更好一些，但也会没那么滑稽了。
全程搞笑
偶尔来演演剧情片还是很稳的。故事很顺畅，很稳的节奏，好看的电影。
十分俗套一般，nba球星客串不少，华子还有点意思
剧情流俗平庸到难以置信，所有冲突和转折闭着眼可以预见，角色也完全不进行挖掘。唯一的亮点是史蒂文斯的颜值……
甚至都不知道埃尔南戈麦斯和爱德华兹演技这么自然，还不错的体育题材，类型虽然老套但完成度很不错，说句题外话，管理层内斗的灵感来源真的容易对号入座。三星半。
十分搞笑的轻喜剧，不用什么剧情和逻辑，笑就完事了
玩梗不错，但总体因为对DC超英类型片不是特别熟，无法做到像前作城市猎人那样烂熟于心，所以一些喜剧效果打了折扣。整体观感尚可
好好笑哈哈哈哈，无厘头屎屁尿，漫威 DC 恶搞了一轮，好几个桥段绝了。
首先，这个时长爱了，法国人果真不拖拉。有人说像《暮色大电影》，那我认为总结归纳杂糅的还是蛮好的，不是逐字逐句的吐槽，更有种一气呵成的完整性。虽然形式很屌丝，但还是有自己的主要故事线，这个角度完成度还是比较高的。但结尾的大bug，不知道是翻译问题还是啥，女主和男主到底啥关系？！那个类似某宝女朋友收到暴风哭泣的永生花出现的时候，我有着大大的问号…因此，也不至于4星，3星还是可以的
吾以为还不错。
挺爆米花的，全程无尿点梗太多看得很放松233，最后的吸尘器广告植入再加一星😂
不得不说电影里有很多夸张的场面，战衣上的投影技术是怎么做到的，Laure被撞来撞去都没事，直接安然无恙。
stop being soft, be an iceberg, never back down - they cant kill u if u already ded
7.5/10，好久没遇到这么爆笑的片子了。
比较意外的是，虽然是搞笑片，但剧情编得还挺完整，故事说得过去。拉肖自导自演，玩得很开心，观众也看得很开心。其中各种恶搞其他电影和新闻报道也是不少，能看懂的观众自然会会心一笑。
2.把毕设这个东西带给我的压力写一遍。发现这个模板还不错:
一本正经地恶搞，cue了好多梗，哈哈。★★★/6.4
由段子组成的电影 再次炸毁巴黎圣母院那段逗死我了
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