Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
当爱情小品来看，放轻松，让别人he的故事静静在记忆中流淌。
华盛顿会面那场戏，fbi那个人直接拿着望远镜在那看，就差把“我是警察”写在脸上了。。。。。。
故事真的挺无聊的，但是孙锡久看起来更可爱了
四星电影，加一星是因为之前看了反贪风暴5，哎，洗洗眼睛加一星。
无论是脱口秀还是电影都get不到凯文哈特的笑点
下午浅睡夜晚失眠，冲着孙锡久还是多给了一星，看完一部烂片
快乐大乱斗，只差the man from Gebi了
挺无聊的。到底是最近几年的爱情电影都不行，还是我确实已经不是这类型的受众了？
Woody Harrelson除了脑子有时候不太好使之外，演戏还是很棒的。当时山P还专门跑来加拿大拍这部剧，我以为戏份很重，这出场有一分钟吗？😂
三星半，虽然是老掉牙的搭配组合和剧情，但还是有些笑点的，傻乐一下就行了。
怎么评价这么差啊？我觉得好好笑啊，经典的黑白搭配，翻版尖峰时刻的感觉，动作喜剧差点意思。很多低级的无趣笑点好戳人
两个人分开真的都很有性张力，但在一起就是“你为什么要出现在我面前”的俗套小妞电影。30而立那段也太艹了
这不得跟基努的追杀宇宙联合一下？哈哈哈 还是蛮好笑的
往往这种冷静杀手加弱智搭档的电影评分都不会很高，因为剧情都是大同小异，最后经过一番折腾，冷血杀手去救弱智搭档，结果来个大团圆结局
纯粹为了看孙锡久。但女主我也喜欢。很轻松的一部电影，还不错啦。
这个世界观也很宏大 每个地名都可以来一个男人的话 就是无数集 完成度方面显然不如疾速系列 胜在个别桥段和台词比如
还是挺有意思的，伍迪哈里森还是帅啊！这车最后看着确实心疼啊，虽然只是道具车
啧，我真是很吃这一套，
铺垫太长，甜蜜太短，矛盾太浅，结尾太赶。男女主的表演加一星。孙锡久魅力依旧，但感觉到一些角色的同质化，表演这条路还有很长的精进之途要走。
还蛮好笑的诶，虽然剧情老套。本来以为在委内瑞拉大使馆放炸弹就是结局前的高潮了，没想到后面又搞一波。
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