Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
烂，看完内心毫无波澜，东方月初全篇不好好穿衣服给我整无语了
两首歌也好好听。
看的为数不多的动漫蛮。值得一看，每一个故事都挺好的。
近期看过的之中最喜欢的 一个繁忙的餐厅后厨的故事 各式人物群像与琐事 而且好像是一镜到底吧 太强了
。。和流水账啥的没啥区别，可以当背景音看，略显无聊
镜头对向餐饮服务行业采用ONE TAKE手法较好表现出餐厅紧张繁忙的氛围总归题材小众比较新鲜
按照正序把故事理了一遍，补充了很多内容。感动又悲伤想哭🥲七夕快乐。
但是东方月初的一句“我愿意”可以忘记所有缺点。
填上了一些更细节的坑，情怀最重要，瑕不掩瑜
一場棒球賽正在上演, 戰況一面倒, 屬於Incruz棒球隊的雅樹看著落敗的己方目光呆滯, 球隊是勝是負無關重要, 其冷淡直教上陣搏殺的隊友不是滋味。他在正式出賽的時候做替補, 他三次擊中空氣, 連累球隊敗局, 隊員對他完全失望, 雅樹是球隊的最後選擇。雅樹正職是加油站店務員, 工作散漫, 黑幫頭子金井叫他抹轎車, 不肯, 金井作勢打他, 雅樹還手, 頭子大喊手的骨折了。
终于把我的月红拉出来溜溜了，死而无憾了，满足，嗝~
开始的一镜到底晃的我分心，慢慢进入状态后感觉真是太真实了，每件事情都涌上来真是一团糟，隔着屏幕都觉得无奈至极。不光是工作，还有来自生活的重压，与圣诞节的欢快对比太讽刺，但无论如何不要酒配药，容易直接过去……
作为《狐妖小红娘》的动漫党 ，挺失望的 ，东方日出的胸肌太过突兀 ，涂山雅雅的蜜汁莫名其妙的脸红，也是非常的无语 ，看的是情怀
觉得整个过程像是煮开水般逐渐升温，不只是男主自己在面临失控局面，是片中每个人都焦躁不安，被客人嫌恶的女服务员等……
东方月初你出息了，居然敢当面求婚了，你现在觉得彩礼准备齐了吗233333而且最后转世续缘成功四舍五入就是求婚成功了啊
按照正序把故事理了一遍，补充了很多内容。感动又悲伤想哭🥲七夕快乐。
解释了前尘往事……
看过之前的总集篇，觉得这一次特别篇的叙事更加娓娓道来，节奏更紧凑，真希望在电影院里看狐妖大电影的那天能快点到来！
很精彩耶 忙碌 气氛也不错 渐入佳境 这个主厨真的看得人生气💢 结尾有点潦草 不喜欢.. 甜点二人组的那段😭 蛮感动的
这部动漫看的相当于是那种情怀，但就是时长有点短，不太够看，加更吧
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