Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
唉！《黄飞鸿》里的“虎门销烟”都比其拍的融入点。
韩国辣鸡影视剧又黑了我国一把，那些总是自以为是客观的影评，真是又蠢又坏！
动作戏还可以，就是谢苗演啥都这个德行，演技还得磨炼磨炼
虽然剧情可以 演技可以 但是这电影导演真的恶心 我大中国空气质量不比他韩国好一百倍？时不时要嘲讽贬低一下中国，真是小心眼子的韩国导演
如果现实中也有这般结局就好了
多看这种历史电影可以丰富自己的内心，挺不错的观影体验
你怎么不说是西方某组织策划出资拍摄的？
看完打发时间，没看完也无所谓的电影。主角光环太明显。
评论区里好多人被公知营销号忽悠得不轻啊……林则徐从来没有上书提倡过本土种植鸦片，所谓林则徐支持本土种鸦片的说法是从林则徐1847年给友人的一封私信里的一段语焉不详的话断章取义理解得出的结论，林则徐本人从来没有做过推广本土鸦片的事情，而且私信和上书能是一回事吗？
有些惊艳吧，开篇的两个镜头是真正的电影镜头，靠画面及镜头推动剧情，已经可以看出网大的进步了，画面整体质感在线，演员演技在线，这个片子已经可以看出具备院线电影的底子了。片子明显能感觉到导演是真的在认真思考，最后的台词通篇看下来明显可以感受到，导演是站在现在的角度，来回看历史长河中林则徐当时的心境。给4分为这个片子认真的态度及用新的动作戏的形式来让我接受“历史正剧”。
情节一般，张力不够，更像是打斗片，历史元素少了些。
电信诈骗题材不好拍，韩国能拍成这样已经很不错了，至于滤镜也没有阴间啊，有些人人太过于敏感了吧
谢苗一年也不拍多少网大。但这部还是挺好的。主要是谢苗打戏是真的好。台词也挺用心的。
个人感觉还不错，剧情紧凑不拖拉，男主没有光环被打的还挺惨，警察不能说猪队友但还是得有男主助攻才能打掉团伙真是气愤，整个诈骗团伙狼性精神真是可怕，用在正途上不好吗？目测会有第二部，有点期待更加黑化的小伙子。
建议翻拍中国版，作全民反诈宣传。既得票房又得宣传工作
可以啊。第一次看虎门销烟的电影，之前都看的是纪录片
又会有新的问题
小人物大故事，核心的定位是爱国主义思想，但其他的东西真的看不出来什么，如果要算一个纯粹的历史剧那么有点烂透了
多看这种历史电影可以丰富自己的内心，挺不错的观影体验
3.5吧。电信诈骗的题材感觉很棒，从写剧本开始到小组合作操作真的挺有代入感，让人会觉得“wow！原来背后的团队是真的操作的！”只是部分剧情确实没有必要，而且真的不太喜欢中国城市名字莫名其妙出现在国外的犯罪片里，还是作为犯罪现场。
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