这是Richard Lester最好的一个片。
An absurdist classic
This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth?, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example: "And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge?' - and the mummy bear said, 'that's no porridge, that was my wife' ". Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to "keep moving!". Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.
虎墩是我最讨厌的主角了，各种作行为，害惨大家
女主妥妥圣母狗！为了见到女儿不惜致数百万平民的生命于不顾，这种人该死！
这个溜冰送武器也不知道是怎么想到的 整个电影逻辑乱的一批
新国漫之光，剧情、场景特效都属上流，画风还很特别，没有千篇一律，没有像哪吒那种故事的群众基础，笑点泪点都很自然没有很尬。最最主要的是配音太好了，江湖黑话，方言都很专业，在国内动画统一做作刻意的弱智配音下很出彩，这才是优秀的面向儿童的好动画，比什么羊啊熊的强多了
景色拍得不错，女主的行为逻辑不对头，前面动机是一切为了女儿，哪怕知道是可以毁灭全人类的病毒也不在乎，后来女儿没有了就变成了要拯救全人类啥也不在乎了，全人类真是谢你女儿八辈祖宗了。
到底在干什么啊……编剧能不能好好自圆其说一下啊……一开始我以为是科幻片，后来以为是灾难片，结果是温情家庭片…这是为了什么呀……冰天雪地那些剧情拍的还行，想去北极圈看极光了…
人物很可爱，也没有之前那部舞狮少年里全员拉细眼的事儿，感觉最后的结局有点突兀？突然就完结了。。。
这女人自私自利,明知病毒会毁灭人类,为了见到自己家人，宁可杀死队友也要把病毒送过去毁灭人类，发现女儿不在基地,又想毁灭病毒怕女儿感染？从不考虑其他人！最后活下来的男人反倒还算伟大无私一些,一直都想毁灭病毒,哪怕自己已经安全了还冒着生命危险去帮这个自私的女人！
其实挺应景的 ，战争中没有所谓的绝对正确和绝对错误，这堂现实的公正课里，没有人能给出答案。倒是喜欢这种不撕心裂肺的调子，仔细回味还是有挺多值得说的点。
或许真实的事情就是这个样子，不咋好看，但觉着比较真实吧
小孩令人生厌，大人也让人讨厌，说到底还是编导功力不够。
意料之外，全片更像是一个小虎墩视角下的武侠动画片，对中国传统冷兵器，武术还有侠之情义都做了自己的理解与诠释。小虎墩的表情也很生动，就是感觉几段故事连接不是很顺畅，到最后送什么镖有何意义也没交代。全片创作顺序就像是1 小虎墩形象很好，给他编个电影故事吧。2.小虎墩要在送镖中得到成长。3.送镖也要遇到内外的阻力……故事就这么编成了~其实很可惜，这故事对武侠迷来说还是很有吸引力的，宣发时非要对准幼众。结果小孩儿看不懂，能看懂的错过没去看，可惜可惜
反着月光的冰面，透着刺骨的寒冷。安静的冰鞋划过冰面的声音，更显安静，更能营造敌人在看不见的四周的恐惧。违背伦理的命令 VS 找寻女儿的信念，斗争！再斗争！
现实里各种屠杀平民，电影里各种伟光正！这部剧我只看到了虚假的为了全人类的牺牲，为了标榜西方虚伪价值观而刻意营造的崇高！一看是“瑞典”的！哦！懂的都懂了！！意识形态宣传商业片哈哈！
标准情节，标准表现，滑冰是亮点，有种苏芬战争滑雪的味道了。这就是大数据的力量吗？真是精准
北欧电影特有的冷色调。剧本虽然有点老套，但是和现在的局势下，电影中假想用病毒结束一切的可能性也是极强的。PS：电影的片尾曲《stay dead》还蛮好听的
“镖局”“国画”“武侠”“虎年元素”组成的冒险故事，满满的江湖风，有笑有泪又很燃，boss有反转，细节和包袱很足。
末日感，冷色调，反战主题。剧情有瑕疵，但是个人感觉分有点低。
虎墩是我最讨厌的主角了，各种作行为，害惨大家
摄影很有视觉张力，浅蓝+暗灰调色以及氛围渲染隔着屏幕都能感受到的空旷寒冷，这是个人喜欢的点。但剧情简单，中规中矩（女主的自私也不掖着，直接摊牌，很蠢就是了）感觉xx行动、xx营救大多都是一贯的套路手法，没什么新的点…但毕竟都网飞了，无脑爽就行，还要什么自行车？
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