With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
mappa牛逼！！真是忙碌周末的一点点小开心还搞得我开始补平漫画了！
这超燃的剧情，这超强的声优阵容，我实在找不到给4星的理由
2022.04.05||第一次看英文字幕的电影，有点别扭，还好基本上看懂了。剧情中规中矩，乙骨说出来“这是纯爱”的时候有点中二，但还是很好哭的，紧接着就被夏五的刀捅成筛子。虽然之前就循环过很多遍《逆梦》了，在电影院听到的时候还是很感动。
加长版动画的感觉。五条老师的眼睛特写下次可以来双眼撑满大荧幕的那种嘛！
剧中悟和杰的对话，剧末悟和乙骨对话没字幕，有空补全
圈钱制作，男主配音太糟糕，画面也没什么看头，也没交代什么有意思的剧情，唉！太烂了。
1、五条悟最后到底说了什么 2、“真是失礼，我们可是纯爱啊”名场面 3、怀疑五条悟有海胆收集癖 4、夏油杰那句你的心更狠，总觉得有深意啊
你诅咒了里香，而不是里香诅咒了你，爱也是诅咒
典型少年动漫 天选之子 友情最重 配角性格各异 每个人背后都有故事 日常搞笑 时不时来点鸡汤型鸡血 打架总开挂 反派必有温柔之处 还有个又强又帅又耍宝的前辈
不要逃避不要逃避不要逃避
感情戏不擅长，动作戏不出彩，整个还是在用小荧幕的节奏拍大银幕的故事。
欢迎收看“纯爱战神乙骨忧太大战正义使者夏油杰”。 ps：五条老师真的太帅了啊啊啊啊啊啊啊啊啊啊啊啊啊！发出鸡叫！实在是忍不住了！！！我为五条老师撞大墙！五条我老公！！！
百鬼夜行这部分属实不太行，让各人物出来收拾几个龙套野怪刷刷存在感就完了，百鬼夜行果然还是GANTZ最经典。前传的故事我认为比较老套，提不起什么劲，正篇的故事我还是更期待看到怀玉篇。
还是喜欢五条悟和狗卷！第二季正剧啥时候来？
我忍受了一个修整过的枪版。就为了在校际比赛中没出现的忧太，了解下夏油。坐等第二季。等我看完高清版再来改分数。
事实证明王道漫即使没能完全听懂对话，也不妨碍全程流畅观影，好看的。
垃圾枪版…操！！！什么时候能很自然的接受世界的信息，能没拘束接受外界信息。哎。难受……多好的片子
超出预期的好看！意外买了一张4D的票，凳子随着打斗和音乐一起震，简直燃爆了！！还能爱绪方姐姐100年！！！
真的是纯爱……不过里香也太惨了，被撞死了还要被诅咒成咒灵，六年没个自由
绪方惠美的忧太，真嗣味太浓了。剧情很中规中矩的还原漫画内容，原创了几场让人惊喜的场面，添加的怀玉篇画面配合后面五条对夏油杰的挚友发言，让人心如刀割。流水线的剧情只值三星，但是我太吃咒术打戏分镜和动作设计了，朴肝帝都亲自下场画卡了，难道不值得多给一星吗。
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