Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
长记性了，看之前先读读评论，瞅瞅是不是又是第一部剪辑出来的
挺好的，情真意切，平和动人。但又好像不是最佳影片级別的好看
改编自《贝利叶一家》，简直是为今年奥斯卡获奖量身定制的模版电影，编剧教科书，除了看了开头就能知道结尾之外，几乎没有缺点。
就因为这篇，才有了，哇，真不错的番。哈哈哈
我始终觉得，这个世界欠小新一座奥斯卡。
以比自己强大很多的对手战斗，实在太惊险了，几个主角差点被歼灭，告诉他自己的意志力，还有不服输的劲活了下来。超常发挥自己的极限的战斗，人物刻画的很不错。
鬼灭之刃制作还是一如既往的强！！错了，我还以为是无限列车😂
还好没有让炭治郎打败累
比起第一部冗长的苦练 这部除了日式经典独白外几乎全是打斗 太好看了！
这个学校强调分数至上的原则，这是否和一些事情不谋而合，或者说在讽刺什么。
跑马拉松。
我越来越怀疑小新的审美了，这几年的橙子老师这个人物也画的太不用心了吧！？
和普通人比起来，人工智能以及精英教育培养出来的超级精英都缺少一样东西，那就是感情，也正是因此，AI和精英教育永远不会成为社会发展的主流。
不管多少次，都能被其中的温柔所感动
7.0/10，《鬼灭之刃》第一季，那田蜘蛛山篇，TV版15-21集合集。
再看一次也很爱！优秀的作品是掩盖不住的！！
蜘蛛山篇的合集，累这一群鬼的身世说实在也蛮凄凉的 一个被无惨带偏的人
时间不可能陪伴你悲伤。好久没看过热血又感动的动漫剧场版了。
这个是真正的剧场版了吧，看着连贯多了；对于亲情的羁绊，做是做不出来的；战后收拾残局的部门似乎也厉害的；对于柱与十二鬼月还是不太了解，需要补一下背景了
整体而言剧情相对于漫画并没有做出什么改动，但这却是最完美的体现。
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