Acclaimed Mexican-Canadian auteur Nicolás Pereda returns to the Festival with Minotaur, a pendant to his 2009 feature Juntos. Shot in the Mexico City apartment of Pereda's signature actor Gabino Rodríguez, Minotaur is an incandescent chamber piece that observes three thirtysomethings (Rodríguez, Luisa Pardo and Francisco Barreiro) as they sleep, dream, read, and receive visitors (including the housekeeper who takes care of them) in their communal space. A lovely and lethargic spell is cast as an ambiguous, Marienbad-like love triangle emerges among the trio, conveyed through literature (books function as telepathic transmitters and definers of relationships), choreography, and the acute physical presence of the three leads. Extending Pereda's recurring interests in class, social structure and family relations in Mexican society in its wraithlike fantasy of a leisure class that is quite literally sustained in its narcoleptic existence by the ministrations of the domestic help, Minotaur evokes the films of Tsai Ming-liang in its distended naturalism, ritualistic solitude, and creation of a cloistered world suffused with longing. The surreal aura of Minotaur seeps beyond the confines of the trio's apartment into a strange "night without distance" in Lois Patiño's hallucinatory portrait of border smuggling in the Gerês Mountains between Portugal and Galicia. Casting real townsfolk, some of whom were smugglers in their youth, Patiño places their stiffly Straubian presences within cross-processed, multilayered tableaux of rocks, river, and trees — an ever-indeterminate place that has imbibed and borne witness to innumerable, desperate acts of survival. Conjuring an instant in the memory of a landscape filled with ghosts, Night without distance extracts spellbinding fantasy from the real.
智叔！可惜最后一部电影那么努力，却都是TVB剧的感觉
总体来讲 挺刺激的！好看！！！导演啊 什么时候再来一个系列《逃狱姐妹》
每一部的后面都很吸引，结果剧情真的一般般就第一部好看点
🫥🫥🫥真想不到还有3……我竟然全系列都看了……
无论剧本多烂，只要演员在线，就还是有看头的。你看这要是换成网红小鲜肉来演，呵呵呵。
作为完结篇中规中矩，感觉比之前要自如一些，邹文正表现不错
从第二部开始看。但不知道为什么能拍到第三部
投票的话就先看刀疤的前传吧，主要想看女主戏。
这部传记片有点过于平凡了，充斥了太多的对白/争吵以及风格一致的歌唱环节，显得有些冗长以及单调，没有突出任务的故事性
7.
罗列了Aretha Franklin的25岁人生之前的大事迹 给不认识她的观众 做了一个基础的科普 可惜的是 并没有有的放矢地放大她的人格魅力 表演也有点做作 只能沦落为好莱坞又一跟风之作
打发时间，看下香港老戏骨的演技还行。2.5⭐
结束了，成为了教育片，内战，外战，内外战，拍的不错。
试问谁能目睹Aretha版本的
一切都结束啦，逃狱活动完美收官，大boss挂了。
叙事像放映幻灯片一样，把个别事件节点按时间顺序“一粒一粒地”跳跃带过，像是整理出一个生平事件清单，拍完一件事，就打个勾交差，深入的心理描写则欠奉，而只是一般水平的好莱坞导演例牌——“画公仔画出肠”的说故事手段。像是拍一套激励课程的“教材”，多过拍一个人。庆幸的是 Jennifer 没有被平板单调的剧本钳制，琢磨演出 Aretha 在青年时期“不知道自己真正要的是什么”，撑起整部电影。
总体来讲 挺刺激的！好看！！！导演啊 什么时候再来一个系列《逃狱姐妹》
有意思，Aretha家庭是个左翼甚至共产主义倾向的家庭，这个细节真是十分有趣了。
居然还有彩蛋，彩蛋告诉我们还有番外，有点意思
女主唱功slay，但都不如本尊在结尾虽机能已退化，高音难上去的那一首natural woman震撼和感人呀……欧美急需能唱能演的演员，真的能唱，不是休杰克曼基德曼海瑟薇那种的……
Copyright © 2015-2023 All Rights Reserved
