Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).
The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
爱能对抗赛博格吗？
画面美，情节已经到了说不过去的地步。3.5 @陆家嘴中心百丽宫
在寻龙后重新采用歌舞模式和家庭大团圆题材，反而是迪士尼保守的体现
如果说，因为老奶奶只爱子孙的天赋，不爱作为人的子孙们本身，导致家宅崩塌，那么，所有中国父母住的每一座房子都会以同样的原因土崩瓦解。
要是画风变了，我会以为是迪士尼。三年级小学生创造智能可接收指令AI，确实很梦幻。
比想象中惊喜少一点，可能因为太久没看院线动画所以期待值拉上去了_(:з」∠)_但依然是可爱温馨的电影
纪伊太太，画风超可！
剧情有点薄弱，转折太生硬。但是要表达的主题有触动到我。( Ĭ ^ Ĭ ) 我们都太想成为某人的骄傲了，即使因此压抑了自我。
主线是AI为人类带来幸福
让我聆听爱的歌声吧，一条初始的命令却让我真实的关注着你，爱着你。你现在幸福吗？
未来也不是一成不变的，在每个人动心起念的瞬间，在每个正确的选择里。。
剧情上是大河内一楼的稳定发挥，主线还是很好的。爱情戏超无聊，阿后和绫同学的爱情戏完全可以删了，整片110分钟完全可以再短点。两个关于诗音的泪点很足。
人设单薄，歌曲略多，讲述了一个充满中美洲风情的有关家庭和睦的简单故事。
it’s ok to be not special.
是小时候的想法，家里的每个人都拥有一种魔法，布景精美，色彩绚烂，是梦幻岛啊
封建大家长和集体主义压迫的主题呼之欲出，却还是走向了和美家庭大团圆。就是讲讲接纳平凡也好一点吧。
主线是AI为人类带来幸福
歌很棒，已经完全被诗音迷住了
今年的生日动画电影。其实有点倍速看的，点子很新内核很老，歌还不错有点迪士尼歌曲那味，烟花告白场面超级美，想到了去年夏天看的言语如苏打般显现。还是比较愉快的🤗
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