Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
you wouldn't betray for a piece of this.
仿佛又回到了好莱坞黄金年代，两个白人帅哥是主角，黑人女也可以当反派，ZZZQ都滚蛋，剧情虽然扯淡但好看啊！
“寻宝”类电影，没有让人拍案的高潮，比较平庸。而且这个故事有个极大的漏洞：十八恶人又不是不知道黄金藏在哪儿，需要费那么大劲才藏那张地图吗？
想走成龙式冒险喜剧的路线，但是即不好笑，动作也不精彩，靠着仅仅两场大型动作场面糊弄观众，解谜也无趣到挠头，各个层面都毫无新意和诚意。紧张感远远不如《古墓丽影：源起》，人物塑造被《国家宝藏》丢在地上摩擦，荷兰弟和沃德伯格毫无火花，连场尬聊，甚至很多场戏感觉编剧都写不下去，再次感受到好莱坞传统商业片的创意枯竭。
【Uncharted】观影完毕。算是看过的游戏改编电影里观感最好的一部。将4的主线+其他三部的一些细节揉在了一起。两小时的电影最大限度的把游戏的细节展现了出来。克洛伊的演员仿佛游戏本人，电影版娜蒂恩也华丽升级。两位男主虽然前期略ooc，但经历了一番考验，到最后也更加贴近原版。游戏元素、任务细节丰富，还有各种良心彩蛋，高潮部分BGM一起，最后的logo一出整个人都燃了。一部普通的爆米花，但是优秀的粉丝向改编作品。作为系列的粉丝看了超high，可能不玩游戏的影评人看着莫名其妙吧…
还好吧，没觉得很糟糕，可能是游戏的剧情基本忘了没有对比。挺惊险和欢乐的，画面很美，各种动作特效很带劲，女反派居然是地球百子的司令守护者演员。想起来一些游戏的场景（在福利院的童年德雷克、各种攀爬动作）
做着夺宝奇兵和加勒比海盗的梦，但电影里并没有琼斯博士和杰克船长，哪怕小蜘蛛一脱再脱也无法改变你还是个孩子的事实。
没有游戏情怀，纯路人角度。荷兰弟也要下岗再就业了吗？太无聊了，青少年暑期爆米花，好莱坞冒险电影的流水线作品，剧本像是AI写出来的，每一步的剧情发展都是那么熟口熟面，至于海陆空联动，阿汤哥二十年前就玩剩下了。不过从今天开始，我要珍惜每一次能去电影院看电影的机会，“能看尽看”。
那一刻，我仿佛看到了麦哲伦的船扬着黑珍珠的帆！
2022-05-01
涂山红红是我的小可爱，剧版杨幂要饰演这个角色，可以期待一下
Becausehere's not a person in your life
里面的剧情真的很让人喜欢！虽然追后那些cp都be了但这部国产动漫我还是很喜欢！
春天luxe 嘴炮不够毒，笑点不够多，寻宝偏儿戏，动作场面还算过得去。
突发奇想：女主不如选moonlight里的Layla呢😄 最近能一家人一起看的电影一般都是适合原著/游戏粉边看边解说的，所以也没觉得有多好或多差，
如果没有结局的“天上行舟”，这部片将一无是处。前一个多小时剧情节奏拖沓无比，解谜的过程无聊透顶，最要命的是全程无危机感，反派一个比一个智障，内斗严重，压根没对主角造成威胁。怎么还有脸提印第安纳琼斯？但凡学学夺宝奇兵也不至于拍得这么烂！
突发奇想：女主不如选moonlight里的Layla呢😄 最近能一家人一起看的电影一般都是适合原著/游戏粉边看边解说的，所以也没觉得有多好或多差，
2-3星之间，现在的寻宝片怎么这么难看，好莱坞再难出夺宝奇兵国家宝藏这样丝滑的类型片了吗？全片有海的30分钟不到戏份是精华，其余纯属凑时长，班德拉斯便当领的太仓促，荷兰弟一脸天真高中生样，一点都没有大男主的荷尔蒙和气场，怪不得要配个沃尔伯格，阿汤哥年轻20岁演这片绝对效果更好
改编的很差，演员之间也没有化学反应，动作戏也一般
刚打完德雷克合集 再看这个电影真的是一种折磨。
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