811 AD, a family, isolated in their home, deep in the woods a few days travel from Birka. They are poor. The hunting and fishing has been bad for some time, and the father, Joar, takes the desperate measure of going on a Viking raid. Joar does not return for a long time, and the family starts to fear he never will. Runa, the oldest daughter, takes over her fathers chores in his absence. She misses him dearly and nourishes a tender hope that he, once again, will return to them. But in her heart, somehow she knows, that the suffering of the family has just begun. There is something in the air, something in the water, the wind and in the soil. Runa is becoming aware of something vile, something dangerous out in the forest. One day when she is out hunting, she finds a bleeding man, a warrior, almost unconscious. She brings him inside and the family tend to his wounds. As he heals, she realizes he is sent to protect the family from an approaching evil. And he brings news of her father.
片中好人犯错、犯罪，坏人闪烁人性光辉。导演想表达啥？
好。。。。。。。长。电影院看应该挺爽的。
上乘的好莱坞爆米花大作，商业需要的它都有，尤其爆炸，那可是迈克尔贝的绝活。
卖拷贝都开始尊重女人了，你就该认识到问题的严重性
最后段落甚至有点来自梦与理想年代的一丝涟漪，还不错嘛。
美式主旋律也是主旋律，而且还挺尬的。剧本一般，拍得略牵强。导演这么大年纪了突然开启穿越机视角模式，很无语。
（就…當作'爽片'輕鬆看…）（22.03.25_松仁Titan）
迈克尔贝对电影的掌控一塌糊涂，完全没有商业片的节奏，只是几个车哐哐一通撞而已。剧情没有分步骤，既缺乏悬念又感觉乱七八糟。劫匪、警方和黑帮的利益博弈本来可以作为动态平衡来推进，从小黑到漂亮的消防员，都不知道动机在哪？
尴尬到原地去世，编剧智商被狗吃了，导演还活在上世纪九十年代
如果文戏照着原钻写，动作场面照着MM4设计，肯定可以。
LETSFUCKINGGOOOOOOOOOOO
“我们都迷失了自我……”
总之很多地方的思维逻辑，价值观的取舍权衡都看不太懂。
4.19号晚19:00于CBD万达，又是和盆友看的
迈克尔贝的味儿太冲了，不论是追车还是结尾强行燃的长镜头。不动脑子分段看还是很喜欢的。吉伦哈尔演这个角色疯批又不讨人厌，也是厉害。
这三点在其他类型里可能都算缺点，唯独动作片里我认为不算，尤其是事到如今的动作片。给人新鲜感，给人感官刺激，做到这些比想象中可难多了。
不知道这种怒吼吵架+配乐升调是哪种套路；看到最后居然还觉得跟黑帮硬扛有点精彩
镜头确实有点乱，但是剧情节奏控制的还不错。
警察的封堵策略看不懂。
这无人机飞得，看来还挺好玩（范迪塞尔大胆点，直接找卖拷贝
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