Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
偶尔看看这种轻轻松松的喜剧很让人放松，笑一笑可以释放一下压力
除了最后花妞林狗的出现有点惊喜，整个剧情本以为该是很搞笑的却未曾想有些尬
全片一个庄园，总共出现4个人，故事稀松平淡，小夫妻和劫匪度过了整整一天一夜居然没事情做在那聊上了，劫匪是一个朴素的好人，只是想偷些钱，找到了一把手枪，被回来的小夫妻发现，也没有想杀他们，只想拿更多钱离开这里，要求15w美金，男主人笑了说15w美金有什么生活质量开口给他40w美金😂 男主人屁话太多，激怒了劫匪，劫匪心地善良还是想算了，离开这里就没事了，原本想杀掉丈夫陷害园丁，最后看到劫匪离去，女主人站起身杀了劫匪和射杀了老公，把枪塞到劫匪手里（庄园是我的理想型）
题材很有趣，但是怎么能把片拍成这样？真的很恶臭。编剧不会以为自己很幽默吧？
最好看的桥段在黑色音符软件都能看，正片就算了吧。
题材不错
日常幻想
两星半，剧本的想象力很不错，笑点也是有的，就是故事简单了些拍出来像一条直线一样没什么波澜。人和物的转换镜头挺好的，其他的都挺一般的。三星太多两星太少。高捷叔叔的坏蛋还是这么有型哈哈哈。
英文名应该翻译成意外之财， 老外的意思是 马无夜草不肥，人无外财不富。 但国内最终给了《黄金屋》这个翻译， 黄金屋对应颜如玉，对应最终的胜利者就是女主， 也衬托出这个片子最出彩的地方是人设。 一个落魄但没有坏心眼的白人， 一个勤劳但很恐慌的拉美人， 一个底层但凭借美色冲击上层的女人， 一个精英但却是人人觊觎的活靶子。 在这个阶级固化严重内卷的时代， 每个人都背负着自身压力，没有人是容易的，在貌似和谐的氛围下是暗藏的矛盾与杀机。 片子整体平淡，但人物冲突明显，回味无穷。
啊啊啊啊啊好喜欢焦俊艳和琥玛尔（如果没有光头就更好了
有点头重脚轻，开头出来概念的时候还蛮有意思的，后半段就是一直在那拉拉扯扯，没啥意思了
无产者的复仇以及资本家的审慎魅力。从中段开始影片完全失速。主要是想讲阶级的固化差异性，资本原罪论，资产阶级的虚伪、冷酷和无情，导演本来就没想拍成恐惧斗室，所以也无需指责随处散发的愚蠢。
剧情有点可爱，但结局实在仓促，林更新是真的狗，喜剧的核心果然是悲剧。
不錯的開始，三人碰面後急轉直下也，最終落入了女性覺醒的俗套。
一星给片头动画，一星给九亿少女的梦，林更新终于实至名归了，花妞儿~你可还好
还不错的喜剧片，梗都还不错，轻松一笑，阵容挺喜欢。
我突然发现电影院里的幕布会说话啊，我肯定也有病，不然为什么要来看这个片！
富豪携妻下乡居，劈面遭遇闯门贼。
里面居然还有张雪峰老师，看来暑假考研已经满足不了他了，来电影里面当精神病专家了哈哈哈
构思很好，身边的万物都拟人化，热热闹闹的，还能了解到属于它们的故事，幻想或许是治愈孤单最好的方式；人物形象其实挺单薄的，感情线也发展的有点莫名其妙；一众东北演员，口音倒是挺亲切，配角比主角出彩许多。
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