BBC最新纪录片，讲述地球的力量如何改变了人类的历史。2010年1月19日首播，共播出了5集：'Water'，'Deep Earth', 'Wind', 'Fire'，'Human Planet'。节目中，Iain Stewart教授带领观众探究几个世纪以来，地质学、地理学和气候是如何影响人类生活的。
我们的星球拥有惊人的力量，但却很少在教科书中被提起。这个系列节目第一次通过电视展现地球的神奇力量对人类发展的影响。节目将历史故事的讲述和炫目的摄影镜头紧密结合，给我们呈现一幅原汁原味的人类历史图景。
Iain Stewart tells the epic story of how the planet has shaped our history. With
spectacular images, surprising stories and a compelling narrative, the series discovers the central role played in human history by four different planetary forces.
Episode 1: Water
Professor Iain Stewart continues his epic exploration of how the planet has shaped human history. This time he explores our complex relationship with water. Visiting spectacular locations in Iceland, the Middle East and India, Iain shows how control over water has been central to human existence. He takes a precarious flight in a motorised paraglider to experience the cycle of freshwater that we depend on, discovers how villagers in the foothills of the Himalayas have built a living bridge to cope with the monsoon, and visits Egypt to reveal the secret of the pharaohs' success. Throughout history, success has depended on our ability to adapt to and control constantly shifting sources of water.
Episode 2: Deep Earth
Iain Stewart tells the epic story of how the planet has shaped our history. With spectacular images, surprising stories and a compelling narrative, the series discovers the central role played in human history by four different planetary forces. In this first episode, Iain explores the relationship between the deep Earth and the development of human civilisation. He visits an extraordinary crystal cave in Mexico, drops down a hole in the Iranian desert and crawls through seven-thousand-year-old tunnels in Israel. His exploration reveals that throughout history, our ancestors were strangely drawn to fault lines, areas which connect the surface with the deep interior of the planet. These fault lines gave access to important resources, but also brought with them great danger.
Episode 3: Wind
Professor Iain Stewart continues his epic exploration of how the planet has shaped human history. Iain sets sail on one of the fastest racing boats ever built to explore the story of our turbulent relationship with the wind. Travelling to iconic locations including the Sahara desert, the coast of West Africa and the South Pacific, Iain discovers how people have exploited the power of the wind for thousands of years. The wind is a force which at first sight appears chaotic. But the patterns that lie within the atmosphere have shaped the destiny of continents, and lie at the heart of some of the greatest turning points in human history.
Episode 4: Fire
Professor Iain Stewart continues his epic exploration of how the planet has shaped human history. Iain explores man's relationship with fire. He begins by embarking on an extraordinary encounter with this terrifying force of nature - a walk right through the heart of a raging fire. Fire has long been our main source of energy and Iain shows how this meant that the planet played a crucial role in Britain's industrial revolution, whilst holding China's development back. Along the way he dives in a mysterious lake in Oregon, climbs a glacier of salt, crawls through an extraordinary cave in Iran and takes a therapeutic bath in crude oil.
Episode 5: Human Planet
Series in which Professor Iain Stewart looks at how four geological forces have shaped human history. He explores the most recently established force, humans. It's easy to think of the human impact on the planet as a negative one, but as Iain discovers, this isn't always the case. It is clear that humans have unprecedented control over many of the planet's geological cycles; the question is, how will the human race use this power?
风格过于典型使得电影再好的题材都显得滑稽无趣
电影本身拍摄手法一般，胜在真实事件改编&社会意义（种姓、阶级、贫富、金钱、权力），演技也不错。
种族主义历来是最可悲之事，中国很多朝代也屡见不鲜，只是很少会有国产关注这些，只是关注浮于上层的亮丽光鲜。
事件是震撼的 但拍摄手法人物塑造太过于刻板流水账
所谓公义基于法律和良心。即使展示悲剧，也避免了发生更多的悲剧。何用避而不谈，粉饰太平。不存在绝对的黑，也永远有追求公义之人。敬佩那些推动社会进步的人。
折磨戏真的是咬着牙看下去，明明没有通过化妆技术把伤口，流血效果进行加强和特写，却偏偏让你震撼。真真是那种姓制度带来的不公与压迫，通过警长挥出去的棍子，还有警界和政府官员沆瀣一气的腐朽，让你感受到了压抑。透不过气的压抑~
唯一的败笔就是男主这个人设有些缺乏情绪的流露过于理性化。整体看着很压抑愤怒，然而人家毕竟敢拍能拍随便播……
看的不知道是不是对的版本，感觉音画不同步，观感不是特好。男主出场的bgm太出戏了，4.5吧
然而黑暗总是会过去的，只是抗争从来都不会停止——这大概也是，文艺作品需要持续表达的愤怒
三星半。看片的这天网络上传开了在金奈集中营被关了三个月的中国人故事，感叹一下金奈几十年过去了也还是够黑，比剧组找的泰米尔群演的皮肤还黑。真实案件改编，在改编和拍摄手法上基本遵循了旧有方式，仰拍男主、插入拍广告短片式的人物小传、黑警和对方律师都无脑无智、法院达到了明镜高悬的公正程度、延长和反复对酷刑的拍摄等，把双方的对立关系搞得很抓马，但我相信当时实际的维权之路绝不会是主人公完全占优的开挂模式，为贱民人权奔走绝不是一条通途。反而独立监察的警察老大是本片相对丰富的角色，他既要调查案情真相，又要有反思警察作为的决心，但是有点高开低走，可惜导演没有抓住这个人物的复杂立场表达更多内容，笔墨都给案件和男主了。吐槽一下南北印度片都好喜欢下雨，一下雨就等于和解。男主真·共产主义者，原型的面相特别慈悲。
印度政府怎么能让这种电影过审？正义得以伸张的核心除了权力外的民权律师，还有权力内的警察处处长：”为了警察部门我什么都可以放到一边，但是我永远不会放弃我的良心，我很抱歉。“
你发表的关于《Jai Bhim》的短评，因为 涉及时政或意识形态等信息，已被移除。
有时候觉得印度没希望了，有时候又觉得印度很有希望，就是这样的电影让人觉得印度很有希望，在这方面中国赶不上
英雄式人物拯救穷苦众生..(竟然一句话概括完了。。这种理想式न्याय的实现自然要褒奖，but哪能港呢，似乎too easy..当然片中也不是很easy毕竟男主亲自下乡实地调查了...只不过在洼地当下比如आठ孩女这种全国रहना &Rap-ist代言领सरकार补助的照耀下，本片的正义到来像是一种非现实的存在。所以洼地的人性消亡已经超越印度了yeah..另，这片泰米尔语拍的吧，还DISS了一下印地语～
而律师处理事件的全过程毫无波澜，没收希望到失落，无助到转机的情绪切换，太平了。
不得不说，我们还未拍出这样的电影，我们在很多问题上没有勇敢的去面对，而是去掩盖真相，回避真相
印度电影从不会让我失望！前三十分钟就非常好了。去年光看了简介我就没什么兴趣，到2022年想想2021整年都没看过好的印度电影，无奈看看这部。对不起，2021我错过了这部电影。原来是共产主义电影。想起国内那个偷窃的妇女，被带去警察局，她的幼女饿死在家中的故事，也是security系统的问题，可以拍
幸好最高法有良心，社会意义大于影片本身质量，但是人家敢拍能拍呀！
印度的问题不只种姓制度这一方面，一两个案子治标不治本，电影只是代表一些觉醒，要想解决问题需要一个长期艰难的过程。还会有很多不为人知的被歧视被冤屈被虐待被杀害的人永远抱屈衔冤了。
#此片通过钱德鲁律师所打的拉贾坎努（Rajakannu）人权案，犀利、扎心地暴露了印度严重的种姓制度弊端，揭露了贪腐警方及当权者对低种姓部落民众凶残的暴行和对人权/法律的肆意践踏，与《熔炉》不同，此片让人欣慰的是～“既使在多刺的丛林里，也有鲜花”，虽历经限辛，正义最终没有缺席！#电影长达2小时40分钟，但故事紧凑、叙述清晰、张驰有度，颇吸引人。既便是针砭时弊的严谨社会片，也不乏印度片中常有的歌舞，但一点也不唐突违和。演员也都挺棒的。钱德鲁的一身正气、不怒自威在影片中有很好的展现。 #在现实世界，钱德鲁律师代表言论自由，反对米萨、塔达和波塔法案，他所处理的任何人权案件均未收过一个卢比，六年内他主持了96000起案件，作出了历史性的判决……并废除了低种姓的隔离制度。他是正义、法律和良心的化身，
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