Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
谢谢小贱贱和神奇女侠让这部片看起来不会特别难看，但CP反转可谓是相当违和不入眼了。
电影贵在有自知之明，想要在爆米花里找补品的观众，和想要往爆米花里放补品的导演，可能都应该去医院里买点儿药吃。杰森斯坦森应该多看几遍这个电影补补脑子。加朵的戏份太少了，看不够。
当一个体系越发达，它所制造出来的东西就越平庸。本片就是在好莱坞这个完善且发达的体系下创作出来的一部极其平庸的流水线作品，毫无新意与亮点。
谢谢小贱贱和神奇女侠让这部片看起来不会特别难看，但CP反转可谓是相当违和不入眼了。
能看出来网飞花了不少钱，但是真的好无聊。这种片子最重要的就是有趣，但是这么大场面的打斗是如何做到无聊的我也很费解。而且又顺带黑了一下中俄，真无语了，加上人设，简直刻板印象大集合。
分数：55
挺好的片子啊，基情满满，笑点满满，后面的强行反转也还说得过去吧~~四星多一点的片子，因为还有强森、加朵和死侍的强强加盟变得更有意思了~~~五星也实至名归吧~
无关紧要的戏份太多了。
总体看来人力成本可能占了这部片子的一大半
很難想像我會這麼說，結果正片竟然還滿好看的！蓋兒加朵打戲上的嚴重bug，隨著影片最後的反轉竟然合理化了。這年頭不會再有製片廠拿2億美金拍這玩意兒了，但網飛拿來拍就成品來說的確充滿娛樂性，影片是過去這3位大咖過往主演電影的類型總和，這禮拜才在迷離夜蘇活聽安雅唱downtown，結果蓋兒加朵這部片也有唱！蓋兒加朵接下來要主演埃及豔后電影，然後片中在尋找的寶藏就是埃及豔后的3顆金蛋，我說這部片怎麼會有這麼多巧合呢？訂在這個檔期上線可說是天時地利人和，三位大咖最後跳瀑布的地方竟然跟叢林奇航的場景幾乎一模一樣，想到野蠻遊戲、印第安納瓊斯還有一堆有的沒有的電影，red notice實在是沒啥新意，但它確實取悅到我了，開場羅馬的動作戲編排相當不賴，跨國走透透的大片感也有做出來，殺時間看值得的網飛大片
还是可以的，空军作战的展示很到位，但犯了俄式煽情的老毛病，把片子揉的太碎了，回忆和家庭片段剪掉，成片100分钟效果会好很多，其次还有一些剪辑的技术性问题，没法补救。
电影贵在有自知之明，想要在爆米花里找补品的观众，和想要往爆米花里放补品的导演，可能都应该去医院里买点儿药吃。杰森斯坦森应该多看几遍这个电影补补脑子。加朵的戏份太少了，看不够。
6.6
所以加朵很高啊？穿上高跟鞋跟我光头强跳舞都快差不多高了？
还不错的大盗片，盗窃的过程有些简单，而且结局有些太好猜了…暗示给的也太明显了…看到宴会跳舞的时候就基本可以确定了。看的时候总是会想到前阵子很喜欢的动画《大欺诈师》~也是这个题材也是网飞播的…看来网飞的数据没错…我的确喜欢这个类型的片子~
看了一会儿就预感不会好，以各种变速拉完影片。 6.9/3461 短评1137条 %46/39/15 【IMDb6.1/293 全球票房194.93万美元】
放低了预期，结果超出预期呀，比速8 速9强多了好不 瑞安·雷诺兹就一直死侍附体吧，没他真的只有两个星
警察的儿子是小偷，骗子的儿子是警察，俩人的偷蛋大冒险故事。虽然融梗很多，漏洞很多，但是无论节奏还是表演还是摄影和美术以及动作设计真的很不错，相当满分的爆米花电影，看着开心，其实融梗和漏洞就不重要了。
莫名其妙的剧情。。。小贱贱、巨石强森、神奇女侠凑到一起，搞成这样也是惨。。。
能看出来网飞花了不少钱，但是真的好无聊。这种片子最重要的就是有趣，但是这么大场面的打斗是如何做到无聊的我也很费解。而且又顺带黑了一下中俄，真无语了，加上人设，简直刻板印象大集合。
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