Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
一部不断死人的平庸之作，类国产三流网大。
这仿佛30年前成龙的故事和特效是认真的吗，20年前的《古墓丽影》和《加勒比海盗》都不这么玩了。分镜和叙事还没有游戏好，荷兰弟根本就是在演小蜘蛛，宁愿看海滩大叔Nolan North，而且居然没有官配Elena，也许是为了政治正确。
很中规中矩的探险寻宝电影，惊心动魄的程度以及解密难度都不是很高，故事基本按观众预期发展，反派都出现在了该出现的位置。就是最后黄金便宜了菲律宾人…
虽然前面的解密部分其实不算很成功，还是赶不上夺宝奇兵或者国家宝藏hhh【毕竟夺宝奇兵yyds】，但是后半段两场大型的动作戏真的很赞，相当娱乐。
解密太过儿戏，另外哥哥朋友的接应也有点脱戏，感觉莫名其妙。场面还是不错的
最后苏利文选择放弃财宝去救内森，挺感动的。
某天我看了1个多小时，我都提不起兴趣，哈哈哈哈哈哈哈哈哈哈。后来就关了。。
好一般啊，解谜和冒险都特别简单，人物塑造的也不够好，逻辑性深究更是槽点满满，反派一看就是智商不太高的样子，两个小时的走马观花，想做成大ip只能靠玩家情怀了。
2022.3.20真爱凌驾于一切世俗，女主前半生在地狱，后半生在天堂，小时候亲眼看着自己的母亲悲惨去世，因此她抛弃信仰，对上帝有埋怨，对生活再也没有信心，直到遇到男主对她一见钟情，获得重新，她是值得被爱的，她经历很多后再次新靠上帝，获得祝福，不可能生孩子也生了小孩，不可能变为可能。被上帝祝福的婚姻是永恒的。只有上帝的爱才能使我们真的懂得如何去爱人。
哪有你们说的那么难看，至少荷兰弟的表现比今年那部蜘蛛侠强多了。前面弱智了点，最后一场海空大战挽回观感，后悔没有到电影院去看。
平心而论是还可以的动作冒险爆米花，然而作为游戏粉还是要说挺失望的…保留了基本人设还借用了不少游戏场景，融了诡计和末路两部游戏作品里的一些桥段，不过主线剧情还是原创为重。荷兰弟的Nate实在是不能代入啊，其实后来仔细想想和神海1里面的形象还是比较贴合的，可能是我自己对Nate的印象停留在盗贼末路那里了吧…Mark的Sully是初看挺好但越看越泄气的感觉，缺一点沉稳也没太演绎出来和Nate那种父子般的情感。Chloe还OK吧。这么一整倒有点不知道续集要怎么搞，要怎么接上1的剧情（Sam怎么处理），又要怎么把Elena带进来呢？如果抛开这些游戏粉的先入为主的东西，其实还行吧，除了解密有点低幼之外，动作戏还算比较流畅，画面也还算好看，还是及格的。不管怎样，还是个比较成功的尝试吧，仍然期待续集！
作为夺宝电影和有游戏脚本在先，拍成这样也挺需要一定水平了...
哥哥在没有拿到2把钥匙的情况下，是如何破解藏宝位置的
七分吧，雖然不切實際，但是這樣的愛情誰不想要呢
游戏改编的电影，主线是探险夺宝故事，各种解谜，最后在空中海盗船大战，打哪坍塌到那里，体现了原来游戏的一贯风格，挺不错的娱乐电影。
动作戏不少，但缺乏亮点。
寻宝不重要 宝藏不重要 女人不重要 替哥哥复仇重要 打架打赢最重要
跳机和飞船两段打斗还颇有游戏感，但仅此而已。西班牙秘殿那段还以为在导演家的后花园闲逛。当探险没了险，这类型的电影还在探什么？
甘心爱他们；
谁可以这样爱我？
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