Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
院线第二场，朋友跟我耳语 年纪大了，受不了这种不负责任的人。就勉强能看完吧，不过我这种泪点低的人看到小虎墩想爹娘那里还是哭了（大概是刚好赶上我第一次在外过年吧
抖音关注小虎墩很久啦，胖乎乎的小虎墩好笑又可爱！没想到虎年出了电影还是很惊喜的，看的笑中带泪，内容很充实
拉倒吧，本来说放给孩子，我可以看会手机，结果呢？不到三分钟就要换电视！
故事简单，适合小朋友看，但我笑得比小朋友声音还大
对亲情和情义的表达简单而直接，不附带任何核心价值观，和昨晚的春晚形成了鲜明的反差。虎墩毫无疑问是个熊孩子，老母亲看了都觉得上火，但他的行为表现和做镖师、见爹娘的信念都如此真实，这恰恰是孩子的视角，不是大人的视角。相比之下，片中不少成人的表现实在不咋样，比如弃妻而逃的新郎官，仗势欺人的黑二爷，靠师爷造假而“打败”天下武林高手的黑大王，个个卑劣而可笑。不少场景看起来都非常过瘾刺激，尤其是沙漠和神机堂打斗那段，很好看；不过打斗场面也有点过多了，毕竟这不是武侠片。
刚开始的时候以为这部影片只有2D的后来看了介绍才知道有3D版，但3D的拍片真的是太少了。
很意外的一部！虎墩真是人小鬼大有主意，为了镖师梦努力拼搏的样子看得我热血沸腾
《毒液1》只不过是《毒液2》的加长预告片，《毒液2》也只不过是《毒液3》的加长预告片，照你这么拍，再拍10部都进入不了正题。
我觉得可以给三星半，就是挺适合全家一起看的，对于大人来说不会特别低幼无聊，对于小朋友来说又不会特别高深复杂……
国内小公司的小制作也能有这样的水平，不论故事和视觉效果我觉得还不错，值得鼓励。
虎墩太可爱了又被小虎墩治愈到了！他真的是名副其实的大英雄，不管是从押镖方面还是从交朋友方面，都是那么的暖心。 大家都被小虎墩萌趣可爱的形象和幽默古怪的动作逗笑。 而我作为一个成年人被打动被治愈的瞬间其实是他和师傅练武的时候，为了学得真武功，他必须要跟在这个师傅的后面，虽然师傅不想认他，但是这时就要发挥死皮赖脸的精神。 “别叫我师傅！”“师傅！”当小虎墩清脆的声音在电影院响起时，能感受到这是他为了梦想执着追求所作出的努力，而现实生活中的我们也要像他一样学会不放弃，只有这样，才可以越来越强大，就像小虎墩一样！
陪儿子看的又一部动画片，悄悄先看完的，影片要是心思多花在剧情上可能会更好。
既不能被现实中的困难所打倒，放弃梦想；也不能做一个纯粹的理想派，难以认识深刻的现实。
大年初一就去看了，怎么说呢，十二岁的孩子着实有点叛逆啊，哈哈
支持国漫！沙漠飞船追逐戏很有创意！不错！希望会有第二部大电影👍
给小侄女放，自己也跟着看，就孩子看着挺开心
合家欢电影，适合带小孩子一起去看，小虎墩最后真成镖师啦
虽然 但是 为什么会在春节档发这个片？？？我不理解
难看到我在电影院最后半小时忍不住出去了 完全没有新意的故事 完全没有梗的笑点 杂糅了自以为幽默的所有笑点—方言 网络语 但实在是难看又难笑 连小侄女都看着想睡 主角又菜又吵又傻逼 实在是看不出任何魅力 还有这种片有什么必要3d？？有任何特效需要3d吗？？除了圈钱想不到任何理由
带虎头帽的孩子被追杀，怎么还一直带着虎头帽不摘下来？中等国漫，主角人设不讨喜，bgm也不讨喜。全片低幼向，比较适合孩子看。
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