With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
20220723 六本木hills ` 哈哈哈哈 no 哈哈 笑死
和前几部相比笑点偏低幼化，逗得全场小朋友尖叫不断
还行吧 感觉中间好多让我想起穿靴子的猫和成龙历险记 挺儿童向的
真的巨巨巨可爱呀！这都不让上的话真不知道为啥了，中国元素也加的挺好的，小鸡仔wwww
和1一样有很多彩蛋（感受到主创对小李子的爱了，但普通的故事情节让彩蛋显得像灵感缺失后拿来救场的万能药。不过谁能拒绝🥹呢
好无聊。唯一的亮点就是十二生肖吧，那个鸡的俯身最搞笑，还生了个小鸡
【7.5】各方面都蛮合格的发挥，但也没有被惊艳的感觉，格鲁的少年时期还真怪可爱的，小黄人更不用说。美国动画、奇幻片越来越爱用中国元素了...
轻松欢快的作品影院里小孩子居多笑得很开心。开篇邓紫棋中文歌太震惊了，片子里又是更多更密集的中国元素，很到位。中国城，针灸、功夫，气，十二生肖，动作设计打斗场面感觉比尚气更顺畅好看。也是不错的续作，Minions真的太太可爱了，联动妈的宇宙很精彩。看到有说龙作为反派不过审的太可笑了，生肖是被偷的，坏人用了龙的能力而已，按这标准圣主都是禁片了。当然国内的电影环境不过审也不稀奇。
小屁孩们的初心就是有一群不离不弃的伙伴，然后一起给这个世界捣蛋
真的笑点一个接着一个，可以看出来对中国元素非常喜爱了。初开本身电影的笑点，外国观众的反应也加buff。狮吼功一出来，全场的老外发出 哇！满场reaction真的还蛮有意思。适合周五下班一乐
還是可愛和好笑的 但情節真的有點無聊🥱 教功夫的太像美美的阿姨們
圍繞追逐、武術等「動作」建立起來的高效敘事甩隔壁巴斯光年幾條街。
爆米花电影看着简单又快乐。得知这片子原计划是20年暑假上映之后我忽然明白了为什么会那么多中国元素，那时世界还是很迎合中国市场的，毕竟19年底预测来年GDP会破6呢。而现在这么多中国元素的片子根本就没在中国上映，不过依旧席卷全球2亿票房，根本无所谓你这三年不开张的“全球最大票房市场”。就这样吧，大家都自己玩自己的了。 片子里的女功夫大师，原形应该是元秋（无影脚和狮吼功）同时还致敬了一些成龙动作搞笑元素（A计划）
有点仓促……感觉整个故事还没展开就结束了 而且更多是gru童年外传 而不是小黄人电影
今天去电影院看了预映场，比较失望，小黄人的搞笑没突出来，剧情平淡，所谓中国元素完全只是借了个十二生肖的概念
吵吵闹闹儿童片。挺搞笑的。有很多中国元素。
比预想的好 整体节奏明快紧凑 小黄人还是挺讨人喜欢的 大眼卖萌模式终于迎合了标题 遗憾的是结尾大战处理的非常差 按理说这个系列应该是靠斗智斗勇和运气加成以喜剧的方式战胜强大的反派 却为了强行迎合中国吹捧功夫 让小黄人如天神下凡一般靠蛮力吊打了反派 简直出戏的不行 -0.5星 另外就是小黄人头上的一撮毛引起了人内心深处的恐惧 3.5星
为了小黄人必须给5分啊！我已经买了比电影票贵很多很多的的周边了，快让我继续买周边！！！
疫情之后第一次带儿子进电影院。实在太吵了…队友竟然从头笑到尾…
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