With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
细节收的很好。前后呼应。我就喜欢法国人写荤段子毫不遮遮掩掩！君子坦蛋蛋。
挺爆米花的，全程无尿点梗太多看得很放松233，最后的吸尘器广告植入再加一星😂
詹姆斯参与制片拍摄的励志体育片，最大的看点是号召来半个篮坛名宿和现役超新星来扮演自己，还原了在媒体镁光灯的聚焦下商业联盟的残酷真实，媒体能造神亦能弑神，在nba立住一个让人信赖人设能够减少负面言论的冲击，战胜自己的魔障能够帮你走的更远。
创意不错欢乐多多真是恶搞无限好！法国的喜剧也太玩儿了，把“漫威”，扁蝠侠，火烧巴黎圣母院，汤姆克鲁斯等都恶搞了遍，倒挂树上接吻下落，裤子质量太差！心疼那只被电的鸭子！
算是再现了NBA各种小角色的生存现状，
梗的质量实在不高。一些演艺界笑话和个别屎尿屁还行，伦理哏和冒傻气的笑料太多有些糟糕，气球防护罩那个不是原创。为了巴黎圣母院的段子，给加一星吧
不仅调侃漫威和DC，汤姆克鲁斯也没放过，再加上调侃马克龙和巴黎圣母院……剧情是次要的。
菲利普这一团队的作品，还是一如既往地无厘头搞笑，这次终于把目标伸向超级英雄电影了，最后的吸尘器广告简直是业界标杆
这梗太多了……片头那个片花还有配乐出来就笑喷了，这片子看着得笑死人的。
各种恶搞和无脑的笑点，各种超英梗，对我这种无脑人士来说真的很受用啊！笑飞了。
无法拒绝！太棒了，战胜自己，没有踩死华子。制作也非常纯熟
笑到头掉，法国人黑起人来毫无底线节操
看到菲利普·拉肖出新片的时候就立刻加入了片单！没办法从《城市猎人》认识这个演员开始可是把他的片子找来看了很多~很对胃口~这部搞笑那是最基本的~依旧是用了很多超级英雄漫画的梗~也调侃了不少新闻事件~而且穿插还挺自然~而这一部更是做了个很不错的欧亨利式结尾，处理的很不错~强推此人！记住菲利普·拉肖！
我只能说很遗憾亚当桑德勒没能贡献《原钻》中的精彩表演，甚至辞职那点都演的平平淡淡的，我有点失望
我笑得最跟的居然是黑人小哥顶着男主脸假拍哪里，法国人发疯起来不是人！
力荐！很燃，给人激动，给人感动，体育类型的电影总是会让我给高分。关键那么多球星和教练的客串，一点也不突兀，只能说制片方人脉牛
相当好，合格的电影最基本的就是讲完整一个故事，现在居然要拿出来表扬了
法國電影界爛仔幫Philippe Lacheau一行人嘅又一低能力作。呢勻將DC、Marvel惡搞一大輪，話說Cédric系一名渴望飾演大粒嘢嘅二打六，終於有日俾佢擁有一個飾演Super-hero「扁福俠」噶機會，原以為可以借此嚟個鹹魚翻生，證明自己系得嘅俾佢老豆睇，無唸到一場突如其來嘅車禍令佢失去記憶不單至，仲當正自己系「扁福俠」本人，於是帶著呢個身份四處展開行俠仗義噶無厘頭行動。一貫Lacheau式嘅各種腦洞大開，好多笑位，但最得我心都系裹個吸塵機嘅廣告植入，認真perfect，植入於無形之中，又不失產品本身的價值。一部唔錯嘅kill time movie，期待爛仔幫嘅下一部笑片。
法版“城市猎人”的导演男主，致敬且恶搞了大量超级英雄电影桥段，笑料还行。
恶搞的比较成功。这类电影一般就是离奇的展开，俗套的煽情。只要“有趣”，就能给电影加很多分的。
Copyright © 2015-2023 All Rights Reserved
