With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
可能受制于制作成本的原因，故事特别简单，但是很完整。
好久没看这种动作有力的动作片了，有种看老港片的感觉，有点像李连杰和谢苗主演的《给爸爸的信》的延续。可惜的是故事有点太简单了，动作上没有给人印象深刻的经典场面
风格还可以，就是投资可能少了些差点质感，国产动作片能打的就这么几个人了，谢苗好好搞也许还有机会
谢苗在网大的道路上一去不复返了，但这效果还是可圈可点的
打斗场面相当精彩。剧情相对简单一点，但描述现实的残酷一点都不简单。松北市企业家崛起、城中村拆迁过程的原罪，后进寒门非法之路崛起的罪恶，普通百姓的苦难。除豪强的秦制确实是东方路径。
谢苗太干了，脸上一点肉没有，得养养生，毕竟现在没几个能打的了
打斗很精彩，希望李红旗也能和陈家驹一样，出个系列，苗哥加油！
国产电影还是网剧，就别有太大希望了，不过能把故事讲明白就可以了
这电影打斗很精彩，尤其那欠钱的人脑浆子爆出来那一下
真不是想吐槽网大电影，可是看一回失望一回。导演极力想要塑造一个东北县城黑社会三兄弟犯罪团伙，结果因为能力有限，搞成个四不像。老大像憨厚下岗工人、老二像个智障，老三最可笑，一个城乡结合部青年，非要装成面善心狠的留洋高知罪犯……难为谢苗的好身手了，红花没有绿叶配，一人主角确实累。最后普及一个常识，在地面格斗中，只有箍住喉结或两侧颈动脉对方才能昏迷。老大昏的不明不白，替他着急。
非常东北彪的气息，影片风格很贴近《导火线》，打斗非常好，谢苗痞气但是一股打不死的愣头青劲头的小警察非常喜欢。但是也的确犯了很多动作片的通病，就是剧情上空了。
投资不过山海关，这是全国人民和全国导演的共识啊
2017年的东北怎么跟1997年前的香港一样，还搞黑社会。剧情几乎没有，全靠打戏征服，演员都挺卖力的。谢苗那个孩子也长成大人了，打的很不错！尤其是最后大巴车上的打戏。谢苗演的角色也挺潇洒利落，看着很像张晋。走这种痞帅英雄的路线挺好，可以出一个系列影片。3.5星绝对值得。
什么老板，村长，厂长，淞北一哥这么多有钱有势的黑社会被几个小混混给拿捏了，不过片子还是很不错，节奏很快，谢苗太帅了
7分。
剧情差，几乎经不起推敲，二星，纯是看在老乡面上多加半颗星，浓浓的东北二人转风儿，全靠谢苗一个人在撑着。下次吧，从征服里找几个一看就是坏人的人过来演，就能得分不少。
这个评分都有点低了吧 我觉得上7没问题，打戏看着就疼。ps：沃顿商学院出来就去东北呢噶啦当黑社会？
非常东北彪的气息，影片风格很贴近《导火线》，打斗非常好，谢苗痞气但是一股打不死的愣头青劲头的小警察非常喜欢。但是也的确犯了很多动作片的通病，就是剧情上空了。
小成本良心电影。紧凑不注水，实打实的动作设计。
动作也是拳拳到肉，可惜谢苗的京片子口音和名字不太贴合啊。
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