"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
当成灾难片看就离谱，但是说它是一部有灾难情节的喜剧吧，为什么又要死人啊啊啊。
配乐挺好听。
细腻的温情，不需要轰轰烈烈的激荡，结合特斯卡纳的自然美景，也许是到这个年纪才可以慢慢欣赏的一壶古茶，沁人心脾
达科塔还是美的 男主不咋地 挺磕碜的 没啥意思 国外名著欣赏不了
你会重振旗鼓，重新找回快乐you will rally and you will be happy again
不合时宜的现代感，糟糕的口音，各种接触不良…
这就是为什么我恨奈飞……………………最最心爱的劝导就这么被糟蹋了！我在十五分钟看到DJ举着一整根芦笋在啃就应该关掉！！！2022年也不兴这样！
没有看过原著，只作为电影来看，非常赏心悦目。这应该是达妹至今最好的表演，太美好的女性，想跟她做好朋友！
最后是带轮子的家吗，无脑喜剧片，真就靠自救呗，地上救援队没点用处
Netflix+0715:宇宙自有它的选择。
挺好看的。独白的形式更能让人体会到anne的聪慧。简奥斯汀的书对女主的塑造真的太厉害了！伊丽莎白那样的艾玛那样的anne这样的每一个都让人好喜欢啊
情节最简单的灾难片，没有惊险的营救，只是喜剧，虽然喜欢李光洙，但是他真的每部剧演的都是李光洙
演员是我喜欢的，无奈剧情太苍白，不是我的菜吧
车胜元演技没有过，开头的几次肢体接触也太奇怪了。还是看综艺舒服一点
前面铺垫太长了就是看的很没耐心
达妹口音太糟糕了 这版选角更是乱来 还有各种没必要的所谓创新 这明明是灾难片
摄影和美术赏心悦目，比以往的版本都更“电影”，但是这改编也太《伦敦生活》了吧？
20分09秒，女主台词 ‘It’s... electrifying.' 好吧，奥斯汀去世时爱迪生还没出生，这个词哪来的？一些角色的肤色、台词、剧情上的考量在向现代观众献媚，但这片子总体是anything but奥斯汀。
“because he’s a ten” lollll
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