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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
他注定孤独呗。有没有人听他讲讲，可能也很骄傲吧。
性即手术，解剖即快感，新型进化的展现，却是一场器官血肉交融的狂欢，不仅是身体进行的一场革命，更是人类思维的一场政治战争，渴望顺应变化和旧古思想遵从器官逻辑的人，本质上都在对社会未来作出自己的抉择，柯南伯格依旧有像四十年前般的前卫，最后其实也是一场向社会媒体公众的新导向，有《录像带谋杀案》的味道。但可惜在于，场景和对话全在解释这个世界，显得过于空洞，那些极致的肉体美学让人惊喜，也挽回不了刻意的展现和沉闷的叙事，喜欢却也不太能给出高分，想起当初看柯南伯格老片的惊艳感，或许是能代入到那个年代所突出的独特思维，而本片的设定在这个时代，只能说还可以更加大胆
Howard Shore配乐一如既往的好
人类的创造需要由人类的进化所构成平衡的新世界。不过话说回来，小男孩解剖戏份里大家的反应和身体内部让我很困惑，以及lifeware谋杀塑料人的动机也让我很困惑。如果就以艺术映射来解释肉体与灵魂的权利交换也不是不可以，但我们这些药理人第一反应就是，你们所说的干细胞培植与痛觉清理但又不完全清理，我觉得不是一个可以一劳永逸的小手术… 这种极度物质贫乏的世界里，大家一起做新世界的塑料人，是不是也是一种浪漫呢。
大脑体会到的概念，比呈现出的影像好太多，直白一些就是拍得烂，实验了但离实验很远
性即手术，解剖即快感，新型进化的展现，却是一场器官血肉交融的狂欢，不仅是身体进行的一场革命，更是人类思维的一场政治战争，渴望顺应变化和旧古思想遵从器官逻辑的人，本质上都在对社会未来作出自己的抉择，柯南伯格依旧有像四十年前般的前卫，最后其实也是一场向社会媒体公众的新导向，有《录像带谋杀案》的味道。但可惜在于，场景和对话全在解释这个世界，显得过于空洞，那些极致的肉体美学让人惊喜，也挽回不了刻意的展现和沉闷的叙事，喜欢却也不太能给出高分，想起当初看柯南伯格老片的惊艳感，或许是能代入到那个年代所突出的独特思维，而本片的设定在这个时代，只能说还可以更加大胆
听不懂，看不懂，
#22#41画面的猎奇和美感更是放大了故事的贫瘠和乏味…要靠要求演员用表达障碍的形式来描绘这未来人的性空虚和性高潮，看的观众那叫一个难受连连。全片撇开Sark装置，给我留下最深印象的居然是美女托头钻电钻…太优雅了
蛤……蛤……蛤，还是那样吧，我永远都get不到柯南伯格。
表演 异化 sex和surgery 越来越多雷同化的作品让我感受不到痛苦和恐惧了 body horror做的也不够 看得我疲倦
我纠结的点在于就算没了痛觉，搞成这样也会细菌感染，会挂的。而且这算哪门子艺术？
其实这电影是上周一看的，上周二立马看了第二遍，然后在脑海里萦绕好久了，想写点什么又写不出来。“人类的未来毁于人类”。目前大概是这么个想法，待再看。
有人看完像是尝了口toxic塑料 有人看完发掘新性癖 我竟然偏向后者 body is reality. surgery is the new sex.
以身体作媒介，柯南伯格将其特有的唯物性的认识论架构进一步延展，通过手术、睡眠、死亡、义体、病症、肿瘤等生理性的现象或隐喻或象征或揭示着此种表象自身。在言辞或缜密或狂想的系统结构中，耦合着语言与感官的对立统一，架构出了一部论文体的影像诗。
无论是影像质感上
非常奇观，但又高度的形而上。讨论的主题很前卫，元素很丰富，场面很惊悚，可解读的空间很大，只是观影体验实在不好，虽然能够平静地观影完毕，有些场景总还是会造成生理上的不适，进而迷惑了对影片的理解，也许是太多东西没有get到吧
如果人真的进化到用病态的器官改造作为艺术，那么离灭亡也就不远了。
行，哪天要是写身体与权力的论文，肯定先考虑这一部。you can be open with me（物理）。除了不适合吃饭时看之外，不得不感叹柯南伯格真会拍v叔，以及，男主其实叫“sore tenser”诶。
kinky……你这让我说什么好，还是袁老说的：吃得太饱。1080P 22/06/21
3. 很多人把这部电影与《钛》进行比较，虽然两者的表现方式有些相似，但是导演想表达的想法是完全不同的。《钛》想表达的是渴望重新拥有最纯粹而真实的人性，这是一种精神上的追求；而《未来罪行》则选择回归肉体，去探寻肉体的意义。
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