Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
要圆的剧情太多还是有点赶但是确实很不错了，总体上来说算是一个好的结局
四舍五入就算泽塔有剧场版了吧，不然我还不看这部呢。
上映当天看的中字熟肉，剧情不错紧凑流畅，泽塔又来了哈哈哈，缺点是有点但比TV强
这个特别篇拍的不错，爆杀tv，久弥直树直接厚葬吧。
比TV感觉好很多，还好不是TV和剧场版一起烂。
”如果不是人类来变成光的话，是没有意义的。“总算是和迪迦中“大古即是光也是人类”的命题的回应，因为特利迦是纯粹的光，而这点在结尾也有所回答，队友们强调了剑悟更是一个人类。
时间来到最终决战的两年后，在本应已迎来和平的地球上，怪兽们再度倾巢而出。
想着并守护着彼此间重要的人；
再加上昨天看完OOO的十周年剧场版后，我对“情怀”真的是要有ptsd了
有点平淡但不乏质感…一边看一边想到红与黑克里斯朵夫道连格雷等等…副标题可以是法国大革命期间的新闻史，男主很美
结果毛也没有
坂本是真的只会拍皮套戏
来了个新队长，以为很叼，没想到是反派，还变身邪恶特利迦，最后被干死。
这次剧场版拍的要比TV那会儿有意思多了，剧情流畅，，节奏清晰，适合推荐
天赋耗尽之问，文青幻灭之旅，电影手法相当不错。见长评
确实不错，临危受命，不负众望，这是一个集体
实际看起来效果确实是真的非常ok，果然和01一样，是靠剧场版逆转评分，虽然有缺陷，但是绝对优秀。久弥直树你给我好好看着！！
算是对特利迦系列的补完吧，也算是圆了特利迦其他的几个坑了，果然换了编剧和监督各种问题都迎刃而解了。可能是对TV的恶意满满吧，整部影片看下来也就新声代中等偏上的水平，台词还是略尴尬，由于篇幅限制导致中间某些情节没有安排的很好，没有刻意的斯迈路的情节，反转很精彩，闪耀的回归惊艳，邪特巨大化场景貌似有点致敬麦克斯？帅就完事了。也算是圆了泽塔没有剧场版的遗憾了。希望武居导演以及各编剧能在新影片中发挥最大水平，2022年7月9日，期待戴卡奥特曼取得优异成绩！
真的2分不能再多了，真不知道好评是哪来的，作为下饭局看，看完连保存硬盘的想法都没有。边吐槽边惋惜，现在的小孩不像我们能看到迪迦盖亚戴拿那些高质量的奥特曼剧集
斯麦路刚从坟头被挖出来就连打n只怪，令和奈克瑟斯舒服了。
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